Louise Distras @ The Shed
with Tail & Lost Transmitters
The Shed in the City Centre of Leicester is a pretty cool two storey bar, and an excellent place to sample live music. The bar staff were friendly, bar prices were very reasonable and on this particular night you could wander between the main bar and the downstairs Vaults bar and had the choice of seeing live music on both stages - for free! My only gripe being that you could catch the occasional rhythmic thumping of the downstairs drums when they were really going for it.
Visitors, be aware that if you choose to use the nearby NCP Car Park you may well be doubling the price of your gig ticket as the prices are extortionate, on a megalithic scale. But this was a free entry gig..….well, you get what I mean.
(Click on band names for Facebook links)
TAIL
A local alt-rock two piece with punk undertones.
‘Tail’ opened the evening, this was only their second public outing together. A rather shaky start was soon forgotten and they quickly established a very individual sound, their the fluency grew throughout the set.
Meri, (former lead with Flying Kangaroo Alliance) has a great vocal range, there is a beguiling melodic and fragile air about her emotionally charged delivery, she has an amazing vocal range. The lyrics are laced with true punk feminism and pinpoint accurate social commentary. I’m pretty sure that Meri would be able to provide vocals to pretty much any chosen sound or genre, (having now checked out a few vids, I believe this even more to be the case).
The quieter songs are emotionally charged and melodic, kind of ‘sway and listen’ numbers and the heavier guitar led tracks had me tapping along, and moving my feet, the lyrics are both clever and heartfelt. Standout track in amongst some really strong numbers was 'Mr Sick', heard this at soundcheck and was penultimate song - totally owned it.
I had a quick chat between sets and found out that Meri and Emily are also busily working on a safe place for female musicians to use - check out ‘Noisy Girls Recording Studio’, we got talking about Kathleen Hanna and her ‘girls to the front’ movement - would be great if this was embraced and happened as a matter of course at gigs- and how live music shows should be safe places for both performers and gig goers alike.
With more gigs Tail will become a firm favourite in the East Midlands and beyond. Great start to the evening.
LOST TRANSMITTERS
Three piece alt rock with a definite blues streak running through their centre.
Lost Transmitters are Cameron Thomson - Vocals/Guitar, Fotis Kalantzis (Thor) - Vocals/Drums and Tom Dunphy - Bass, they are a young band of accomplished musicians, and use their skills to good effect when mixing up and fusion-ing their rock sounds, it made for an interesting listen.
With Cameron on sole vocals and lead guitar I sometimes felt that the delivery tended towards a shoe gazing style, especially when there’s a heavy workload to deal with. That said Cameron has a cool rock voice, it lends itself to the American style numbers, occasional nods towards White Stripes are evident, but don't dominate.
They worked through a good set, and I enjoyed a few bouts of old time head banging to their more indulgent numbers. I reckon this lot could mix up a bit of a rock storm if they saw fit, they brought in a nice number of friends and family in too, it all added to the atmos.
I’m not going to mention the kicking over of the bass amp as this may besmirch their clean cut image, (Sorry Tom). So I will close in saying that Lost Transmitters would do well to believe in themselves a bit more, and maybe let Thor out from behind his cage a bit more often, rock gigs enjoy mayhem. There was one point when the two guitarists faced each other down, playing their individual pieces, more of that please, (said the 'past it' rocker).
LOUISE DISTRAS
Having recently seen Louise in Nottingham as part of the Easter Weekend Festival I probably shouldn’t be writing another review so soon, but I wrote a relatively short piece about her set within a longer review of 19 bands, so I feel that I am justified and glad that I am able to indulge myself and rectify my previous brevity.
By her own admission, Louise was happy to be at The Shed tonight and added that it was a state of being that she rarely experiences before a gig. She certainly appeared more relaxed than I had seen her in a while, but make no mistake that her trademark passion and anger was evident in each and every delivered lyric.
The set tonight was one of the best that I’ve seen Louise perform, she opened with tracks from the first album and then introduced us to some of the new songs from the forthcoming album, (currently being funded via a pledge - there’s a link here). As with the tracks on 'Dreams From The Factory Floor' there is no doubt that each one of these new songs has been meticulously hand crafted. Poignant lyrics interweave and punctuate the catchy guitar hooks and rhythms, the choruses are sometimes a mantra underlining the messages of protest and indignance, poetic and meaningful.
The musical message from Louise Distras is always clear, it is delivered with an accuracy, anger and passion. Seeing Louise perform in a smaller venue really does seem to bring each song into a sharper focus, although she easily commands the larger festival stages too. The set was over, oh too quickly, and another great live music night was over. And then, surprisingly we were treated to an encore, ‘We don’t believe in them (encores) in Wakefield’ was the explanation, accompanied by a smile. The final two songs in the encore, Black and Blue (about her home town), and One Thousand Tears, an anti love, song saw Louise return to her older work, and with that a memorable performance was over.
I have been lucky enough to see some influential performers over the last 40 years, I have no hesitation in saying that Louise Distras is up there with the likes of Patti Smith and Poly Styrene.
A great night, three different performances, fantastic sound and venue - all for the price of a really expensive car park ticket.
Visitors, be aware that if you choose to use the nearby NCP Car Park you may well be doubling the price of your gig ticket as the prices are extortionate, on a megalithic scale. But this was a free entry gig..….well, you get what I mean.
(Click on band names for Facebook links)
TAIL
A local alt-rock two piece with punk undertones.
‘Tail’ opened the evening, this was only their second public outing together. A rather shaky start was soon forgotten and they quickly established a very individual sound, their the fluency grew throughout the set.
Meri, (former lead with Flying Kangaroo Alliance) has a great vocal range, there is a beguiling melodic and fragile air about her emotionally charged delivery, she has an amazing vocal range. The lyrics are laced with true punk feminism and pinpoint accurate social commentary. I’m pretty sure that Meri would be able to provide vocals to pretty much any chosen sound or genre, (having now checked out a few vids, I believe this even more to be the case).
The quieter songs are emotionally charged and melodic, kind of ‘sway and listen’ numbers and the heavier guitar led tracks had me tapping along, and moving my feet, the lyrics are both clever and heartfelt. Standout track in amongst some really strong numbers was 'Mr Sick', heard this at soundcheck and was penultimate song - totally owned it.
I had a quick chat between sets and found out that Meri and Emily are also busily working on a safe place for female musicians to use - check out ‘Noisy Girls Recording Studio’, we got talking about Kathleen Hanna and her ‘girls to the front’ movement - would be great if this was embraced and happened as a matter of course at gigs- and how live music shows should be safe places for both performers and gig goers alike.
With more gigs Tail will become a firm favourite in the East Midlands and beyond. Great start to the evening.
LOST TRANSMITTERS
Three piece alt rock with a definite blues streak running through their centre.
Lost Transmitters are Cameron Thomson - Vocals/Guitar, Fotis Kalantzis (Thor) - Vocals/Drums and Tom Dunphy - Bass, they are a young band of accomplished musicians, and use their skills to good effect when mixing up and fusion-ing their rock sounds, it made for an interesting listen.
With Cameron on sole vocals and lead guitar I sometimes felt that the delivery tended towards a shoe gazing style, especially when there’s a heavy workload to deal with. That said Cameron has a cool rock voice, it lends itself to the American style numbers, occasional nods towards White Stripes are evident, but don't dominate.
They worked through a good set, and I enjoyed a few bouts of old time head banging to their more indulgent numbers. I reckon this lot could mix up a bit of a rock storm if they saw fit, they brought in a nice number of friends and family in too, it all added to the atmos.
I’m not going to mention the kicking over of the bass amp as this may besmirch their clean cut image, (Sorry Tom). So I will close in saying that Lost Transmitters would do well to believe in themselves a bit more, and maybe let Thor out from behind his cage a bit more often, rock gigs enjoy mayhem. There was one point when the two guitarists faced each other down, playing their individual pieces, more of that please, (said the 'past it' rocker).
LOUISE DISTRAS
Having recently seen Louise in Nottingham as part of the Easter Weekend Festival I probably shouldn’t be writing another review so soon, but I wrote a relatively short piece about her set within a longer review of 19 bands, so I feel that I am justified and glad that I am able to indulge myself and rectify my previous brevity.
By her own admission, Louise was happy to be at The Shed tonight and added that it was a state of being that she rarely experiences before a gig. She certainly appeared more relaxed than I had seen her in a while, but make no mistake that her trademark passion and anger was evident in each and every delivered lyric.
The set tonight was one of the best that I’ve seen Louise perform, she opened with tracks from the first album and then introduced us to some of the new songs from the forthcoming album, (currently being funded via a pledge - there’s a link here). As with the tracks on 'Dreams From The Factory Floor' there is no doubt that each one of these new songs has been meticulously hand crafted. Poignant lyrics interweave and punctuate the catchy guitar hooks and rhythms, the choruses are sometimes a mantra underlining the messages of protest and indignance, poetic and meaningful.
The musical message from Louise Distras is always clear, it is delivered with an accuracy, anger and passion. Seeing Louise perform in a smaller venue really does seem to bring each song into a sharper focus, although she easily commands the larger festival stages too. The set was over, oh too quickly, and another great live music night was over. And then, surprisingly we were treated to an encore, ‘We don’t believe in them (encores) in Wakefield’ was the explanation, accompanied by a smile. The final two songs in the encore, Black and Blue (about her home town), and One Thousand Tears, an anti love, song saw Louise return to her older work, and with that a memorable performance was over.
I have been lucky enough to see some influential performers over the last 40 years, I have no hesitation in saying that Louise Distras is up there with the likes of Patti Smith and Poly Styrene.
A great night, three different performances, fantastic sound and venue - all for the price of a really expensive car park ticket.
Easter Punk and Alternative weekender
Headcheck Records put the Easter Punk and Alternative Weekend on at The Maze, Nottingham. The sub title could also be ‘Lots of female fronted cool bands - all for a tenner a day’.
As this is a long piece I've put Facebook links (in blue) to the bands pages, pics and vids will be added soon.
CROSSLIGHT
A Nottingham/Derby alt rock band, there were 5 on stage at this gig and they kicked off the afternoon in fine style. Powerful vocals on top of some punchy tunes. There’s a definite heavy rock guitarist hiding in amongst this alternative ensemble.
Not having heard any of their songs before I found myself enjoying them from the off. This is a band to see again, there’s a slightly American angsty (Evanescence, without the piano?) feel to their songs - it works very well.
RADIOACTIVE RATS
This is the second time that I’ve seen Radioactive Rats at The Maze, I enjoyed them on the first occasion, this performance was a whole lot slicker. Hardcore/Nu Metal with ripsaw guitars and a gale force unrelenting barrage of Polish? lyrics. It felt like I was standing in a wind tunnel with the music pinning my ears back and almost lifting me off of my feet. I’m pretty sure that Ewa (lead singer) is not singing about her kitten playing with some wool, or walking through a peaceful valley on an idyllic Summer morning, the anger and power is clear for all to hear and see. A fantastic performance all round.
VERTIGO VIOLET
Birmingham based Vertigo Violet have a great feel, they are expertly marshalled by Charly on lead vocals and Jarrad, a powerhouse of a drummer and vocals too - I wasn’t the only one who singled him out as putting in a great performance. The whole set rocketed by, attitude, catchy hooks and a fantastic on-stage chemistry made this another band to keep an eye out for. This was the first band of the weekend where I noticed that some bloke was struggling to keep his comments/thoughts to himself. It doesn't sit well with me when the musical talent of a band is overshadowed by sexist comments, and can’t imagine how frustrating it must be for some of these bands. I did mention it to him, he was quieter. Rant stopped - self editing done.
BRATAKUS
Two guitars and a drum machine. **Warning siren** Hands up, my preconceptions and prejudices were in full on 'old punk mode', especially when there was a drum machine malfunction at the beginning of the set. Once this was rectified and my blood pressure calmed down I stood back and enjoyed this set. It was a different experience to be able to concentrate on the guitar playing and the vocals without being distracted by the drummer, this duo serve up some real riot grrrl sounds and put the growl into grrrrl. Well done Bratakus I was converted by the end of your set, and thanks for travelling so far. (As an aside I was talking to a drummer today who said, 'what's the difference between a drummer and a drum machine? You only have to tell the drum machine once!' However, it was twice this time).
HAZARD
Playing as a threesome, Hazard have a polished assurance these days and underlined this by putting in a really strong performance. Their set had some catchy songs laced with powerful riffs. I think that they have progressed some distance from their ‘Nothing Changes’ debut album. What hasn’t changed is the sneer and their underlying frustration and lyrical commentary on the older generation (rightly so). Some say that punk died when certain bands signed up to the big labels, and that what we see and hear today is no longer as relevant, Hazard are the playing proof that there’s life in the old (punk) dog yet and that they will keep the fire burning for a while to come. They have recently released ‘Freedom Fighters’ on a 7” single - do yourself a favour and get this bought. It has both feet firmly set in the early punk camp, it is well-written and has a real relevance to the situation of today. Top set.
HEADSTONE HORRORS
Street punk played hard and fast and with a touch of the hammer horror, gothic kitsch thrown in. I’ve seen them a few times now and always enjoy their performance. It would’ve been fair to describe them as ‘fast and raw’ on those previous occasions, tonight their set was smooth and very well delivered, the best I’ve seen and heard them. It was great to see them at the venue on day 2. I'm sure that this was appreciated by others too.
ON TRIAL UK
I know that I have seen this band before and, on more than one occasion, I just can’t remember where - alcohol probably played a part - either on their part or mine, or both. You certainly get the impression that On Trial UK are in the music business for a good time, and don’t seem to take themselves that seriously. Make no mistake that this band are an accomplished unit and have a large catalogue of great punk songs laced with social commentary. I was pleased to hear ‘Pangea’ in the set, a resonant message for the current world situation. Great set, think the bar takings did well before and afterwards.
BRASSICK
I have no idea how I’ve missed this band up until now. This Birmingham 4 piece have been regularly gigging for a few years now and have been on the same bill as some well established acts. You can’t take your eyes off this band, they perform with total non stop energy, they provided a set of relentless, in your face melodic hardcore punk delivered at a breakneck speed. I’ve no doubt that they will be headlining larger shows in the near future. This was a great live performance.
LOUISE DISTRAS
Having seen Louise perform a number of solo sets recently I was selfishly hoping that she would be appearing here with her band. Alas it wasn’t to be, it didn't however diminish my enjoyment of another super set. Louise Distras is a captivating performer, her lyrics are angry, yet touching, poignant and challenging. She clearly feels each well crafted song, and often carries you away with her on that journey. Louise sings about real life, she is from the generation that has been let down by those older people, those that are in power. It's probably passe to describe someone as a 'tortured soul', but her songs make me feel that she is. Being an outsider, an underdog, the oddball - that's what drew me to punk rock. Surely this is why she resonates with so many of us? There was a bit of late night crowd chatter during the set, but focussing on the songs and the performance helped to block that out. A fantastic end to a really great first day.
With nine bands performing for ten quid - well there’s nothing more to add, well done Headcheck Records, great value and some exciting bands showcased.
DAY 2
Righto day 2, you have some way to go to beat day 1. Let’s see how you do…
MINATORE
Nottingham duo with rockin’ drums and a red hot guitar. There is no doubt that Minatore are a band to be seen and heard, to be able to believe - they produce an immense sound and the fantastic feeling that this band gives you; well (my) words alone will probably not do them justice. Tommy is a firecracker of a performer, brilliant guitar licks, great vocals and is totally in tune with the audience. And off stage you quickly realise that this is no act, Tommy is the kind of person that makes everyone smile. Morgan on drums has a cool technique, and add to that some solid vocals (kudos for the skill in doing that) Minatore has a magical chemistry, producing music more than the sum of it’s parts, check out their self released track ‘Featherstone’ then go and see them live.
Lovely start to the day by a band that I will definitely follow, (sorry Tommy, I forgot to mention your socks and vegan converse).
YUR MUM
Now after that opening there was a chance that the next band may struggle, no chance! This London band, were having none of it. Their style is a swaggering loud rock, with blues laden guitars and a great driving beat. They describe it as ‘road rage rock’ it’s far more refined in my opinion, less angry and more sustained than a bout of road rage, but probably more lethal. Yur Mum knows how to get you moving (you just knew that there would be a play on the band name) they have a set full of killer tunes, catchy riffs and delivered with uplifting personality, Ane has a real stage presence, she has the ability to make everyone feel that she is their friend, you are hooked pretty quickly. Really enjoyable, clever guitar solos aren’t the normal fayre in my musical banquet, but I was very satisfied after sampling Yur Mum, (sorry).
LITTERBUG
A three piece from Blackpool, an all male band, (I checked - after all we've all been to Rebellion, right?), and providing a solid punk rock sound. The set was full of sub 3 minute numbers, it was a good contrast to the other acts and I enjoyed their immediacy and rip-snorting delivery. There’s no let up with Litterbug, they play with a driving punk rhythm, quick n’ punchy lyrics, expertly delivered. Their songs made this old bloke happy, and their merch was duly purch’d. Another band added to the punkmonger personal watch list. And even though there was a rumour that Stuart disappeared for an hour to show the Forest strikers where the net is, the band stayed and showed great support for the other bands.
SAD SALLY
Nuneaton based trio Sad Sally had a contrasting look to the previous band, I expected a different sound and so it proved to be. They are clearly heavily influenced by U.S. punk, I admit to having a massive blindspot with a lot of the American Punk, (although The Offspring CD was allowed to sit on my shelf at some stage in the 90’s). I’ve seen Sad Sally supporting a few larger bands recently, they do have a sound akin to Blink 182, and they do it really well. They were well received by the crowd around me, I saw that the guy wearing the Slipknot hoodie and a couple of the Headstone Horrors guys enjoyed their tunes.
DESENSITISED
Played as an acoustic 2-piece rather than their usual trio. They split their set with some stories in between songs and it made for an intimate interlude. They seem to have performed at a lot of Hands Off Gretel gigs that I’ve been to recently - as a consequence they have a coterie of HOG fans who also enjoy watching them.
WEEKEND RECOVERY
I spotted that there had been a bit of a line-up change in Weekend Recovery only a couple of days before this gig, so I was interested as to whether this affected their sound. It really didn’t, Lauren has the talent and personality to overcome the changes and although there was some initial nervousness and off mic chat they blasted through their set without a problem. These are a seriously good bunch of musicians, they have some great power alt/pop tunes and are a very nice group of people too. I have to add that the recent Weekend Recovery single is the current school run tune, my daughter is word perfect on it - and it is a rather distracting earworm when I should be concentrating on something else. Here’s hoping that you get a settled line-up and that the new single gets picked up quickly.
PUNCH DRUNK
After failing the memory test, (I recognised drummer Colette, but forgot her previous bands name, and knew that the guy - Ben was out of another band, but again struggled) I thought that I owed it to the little grey cells to see what this was all about. And of course Punch Drunk played a great set, they play a solid ‘tip your hat to the 90’s’ grunge type of music, and they do it very well. I will keep an eye out for their name on subsequent gigs - I’ll do my best to remember next time.
SCREECH BATS
Another band not on the radar - until now. I think that Tommy (Minatore) and then the whole of the Diablofurs gang highly recommended the Screech Bats. Well, for the uninitiated (not me any more) they are an all female 4 piece band from London town, and they are very special. A complete musical experience, fantastic range on vocals, the slow tracks are melodic and the raunchy rocking numbers are all that. Screech Bats make a great sound, and they totally nailed their set and rocked The Maze.
DIABLOFURS
The highlight of the weekend for me. I’ve been to a few of their local gigs recently, this was the first time that I’d seen them perform as a 5-piece. I was not alone in smiling, dancing and joining in from the start of their set to the finish. Great glam, power-pop punk, there’s no escape, every song has a catchy chorus, a killer hook and whether you’ve heard it once or a number of times you just have to join in. Don’t try to categorize Diablofurs, just look them up and go and see them. They have got themselves on the radar of a few promoters recently, and I’m pretty sure that they will become a very popular (and busy) band. The new single is out soon, (would love to review it Rob/Suze), I intended to record it, but forgot to hit record - not even drunk - as I was probably singing/dancing (not at the same time though). Biased? Who the fook cares - they made a great weekend even better.
HANDS OFF GRETEL
After some initial amp issues HOG kicked off their set with real meaning. They have quickly established themselves as a headline act, and really grown into that role with no problem at all. Their following is growing all of the time, not only because of their music but because of their online presence and their accessibility to their fans. I enjoy their music, a lot. It’s well-written and expertly performed. It was fitting that Hands Off Gretel, a female fronted rock band, finished this great weekend.
A lot of the bands stayed and supported the others, people came and went over the two days, I really hope that the promoters Headcheck Records see this festival as having been a success and that it continues. As a punter who came for the two days and spent about 15 quid on tickets, (but considerably more on merch n booze) I say thanks, and hope to do this again soon.
As this is a long piece I've put Facebook links (in blue) to the bands pages, pics and vids will be added soon.
CROSSLIGHT
A Nottingham/Derby alt rock band, there were 5 on stage at this gig and they kicked off the afternoon in fine style. Powerful vocals on top of some punchy tunes. There’s a definite heavy rock guitarist hiding in amongst this alternative ensemble.
Not having heard any of their songs before I found myself enjoying them from the off. This is a band to see again, there’s a slightly American angsty (Evanescence, without the piano?) feel to their songs - it works very well.
RADIOACTIVE RATS
This is the second time that I’ve seen Radioactive Rats at The Maze, I enjoyed them on the first occasion, this performance was a whole lot slicker. Hardcore/Nu Metal with ripsaw guitars and a gale force unrelenting barrage of Polish? lyrics. It felt like I was standing in a wind tunnel with the music pinning my ears back and almost lifting me off of my feet. I’m pretty sure that Ewa (lead singer) is not singing about her kitten playing with some wool, or walking through a peaceful valley on an idyllic Summer morning, the anger and power is clear for all to hear and see. A fantastic performance all round.
VERTIGO VIOLET
Birmingham based Vertigo Violet have a great feel, they are expertly marshalled by Charly on lead vocals and Jarrad, a powerhouse of a drummer and vocals too - I wasn’t the only one who singled him out as putting in a great performance. The whole set rocketed by, attitude, catchy hooks and a fantastic on-stage chemistry made this another band to keep an eye out for. This was the first band of the weekend where I noticed that some bloke was struggling to keep his comments/thoughts to himself. It doesn't sit well with me when the musical talent of a band is overshadowed by sexist comments, and can’t imagine how frustrating it must be for some of these bands. I did mention it to him, he was quieter. Rant stopped - self editing done.
BRATAKUS
Two guitars and a drum machine. **Warning siren** Hands up, my preconceptions and prejudices were in full on 'old punk mode', especially when there was a drum machine malfunction at the beginning of the set. Once this was rectified and my blood pressure calmed down I stood back and enjoyed this set. It was a different experience to be able to concentrate on the guitar playing and the vocals without being distracted by the drummer, this duo serve up some real riot grrrl sounds and put the growl into grrrrl. Well done Bratakus I was converted by the end of your set, and thanks for travelling so far. (As an aside I was talking to a drummer today who said, 'what's the difference between a drummer and a drum machine? You only have to tell the drum machine once!' However, it was twice this time).
HAZARD
Playing as a threesome, Hazard have a polished assurance these days and underlined this by putting in a really strong performance. Their set had some catchy songs laced with powerful riffs. I think that they have progressed some distance from their ‘Nothing Changes’ debut album. What hasn’t changed is the sneer and their underlying frustration and lyrical commentary on the older generation (rightly so). Some say that punk died when certain bands signed up to the big labels, and that what we see and hear today is no longer as relevant, Hazard are the playing proof that there’s life in the old (punk) dog yet and that they will keep the fire burning for a while to come. They have recently released ‘Freedom Fighters’ on a 7” single - do yourself a favour and get this bought. It has both feet firmly set in the early punk camp, it is well-written and has a real relevance to the situation of today. Top set.
HEADSTONE HORRORS
Street punk played hard and fast and with a touch of the hammer horror, gothic kitsch thrown in. I’ve seen them a few times now and always enjoy their performance. It would’ve been fair to describe them as ‘fast and raw’ on those previous occasions, tonight their set was smooth and very well delivered, the best I’ve seen and heard them. It was great to see them at the venue on day 2. I'm sure that this was appreciated by others too.
ON TRIAL UK
I know that I have seen this band before and, on more than one occasion, I just can’t remember where - alcohol probably played a part - either on their part or mine, or both. You certainly get the impression that On Trial UK are in the music business for a good time, and don’t seem to take themselves that seriously. Make no mistake that this band are an accomplished unit and have a large catalogue of great punk songs laced with social commentary. I was pleased to hear ‘Pangea’ in the set, a resonant message for the current world situation. Great set, think the bar takings did well before and afterwards.
BRASSICK
I have no idea how I’ve missed this band up until now. This Birmingham 4 piece have been regularly gigging for a few years now and have been on the same bill as some well established acts. You can’t take your eyes off this band, they perform with total non stop energy, they provided a set of relentless, in your face melodic hardcore punk delivered at a breakneck speed. I’ve no doubt that they will be headlining larger shows in the near future. This was a great live performance.
LOUISE DISTRAS
Having seen Louise perform a number of solo sets recently I was selfishly hoping that she would be appearing here with her band. Alas it wasn’t to be, it didn't however diminish my enjoyment of another super set. Louise Distras is a captivating performer, her lyrics are angry, yet touching, poignant and challenging. She clearly feels each well crafted song, and often carries you away with her on that journey. Louise sings about real life, she is from the generation that has been let down by those older people, those that are in power. It's probably passe to describe someone as a 'tortured soul', but her songs make me feel that she is. Being an outsider, an underdog, the oddball - that's what drew me to punk rock. Surely this is why she resonates with so many of us? There was a bit of late night crowd chatter during the set, but focussing on the songs and the performance helped to block that out. A fantastic end to a really great first day.
With nine bands performing for ten quid - well there’s nothing more to add, well done Headcheck Records, great value and some exciting bands showcased.
DAY 2
Righto day 2, you have some way to go to beat day 1. Let’s see how you do…
MINATORE
Nottingham duo with rockin’ drums and a red hot guitar. There is no doubt that Minatore are a band to be seen and heard, to be able to believe - they produce an immense sound and the fantastic feeling that this band gives you; well (my) words alone will probably not do them justice. Tommy is a firecracker of a performer, brilliant guitar licks, great vocals and is totally in tune with the audience. And off stage you quickly realise that this is no act, Tommy is the kind of person that makes everyone smile. Morgan on drums has a cool technique, and add to that some solid vocals (kudos for the skill in doing that) Minatore has a magical chemistry, producing music more than the sum of it’s parts, check out their self released track ‘Featherstone’ then go and see them live.
Lovely start to the day by a band that I will definitely follow, (sorry Tommy, I forgot to mention your socks and vegan converse).
YUR MUM
Now after that opening there was a chance that the next band may struggle, no chance! This London band, were having none of it. Their style is a swaggering loud rock, with blues laden guitars and a great driving beat. They describe it as ‘road rage rock’ it’s far more refined in my opinion, less angry and more sustained than a bout of road rage, but probably more lethal. Yur Mum knows how to get you moving (you just knew that there would be a play on the band name) they have a set full of killer tunes, catchy riffs and delivered with uplifting personality, Ane has a real stage presence, she has the ability to make everyone feel that she is their friend, you are hooked pretty quickly. Really enjoyable, clever guitar solos aren’t the normal fayre in my musical banquet, but I was very satisfied after sampling Yur Mum, (sorry).
LITTERBUG
A three piece from Blackpool, an all male band, (I checked - after all we've all been to Rebellion, right?), and providing a solid punk rock sound. The set was full of sub 3 minute numbers, it was a good contrast to the other acts and I enjoyed their immediacy and rip-snorting delivery. There’s no let up with Litterbug, they play with a driving punk rhythm, quick n’ punchy lyrics, expertly delivered. Their songs made this old bloke happy, and their merch was duly purch’d. Another band added to the punkmonger personal watch list. And even though there was a rumour that Stuart disappeared for an hour to show the Forest strikers where the net is, the band stayed and showed great support for the other bands.
SAD SALLY
Nuneaton based trio Sad Sally had a contrasting look to the previous band, I expected a different sound and so it proved to be. They are clearly heavily influenced by U.S. punk, I admit to having a massive blindspot with a lot of the American Punk, (although The Offspring CD was allowed to sit on my shelf at some stage in the 90’s). I’ve seen Sad Sally supporting a few larger bands recently, they do have a sound akin to Blink 182, and they do it really well. They were well received by the crowd around me, I saw that the guy wearing the Slipknot hoodie and a couple of the Headstone Horrors guys enjoyed their tunes.
DESENSITISED
Played as an acoustic 2-piece rather than their usual trio. They split their set with some stories in between songs and it made for an intimate interlude. They seem to have performed at a lot of Hands Off Gretel gigs that I’ve been to recently - as a consequence they have a coterie of HOG fans who also enjoy watching them.
WEEKEND RECOVERY
I spotted that there had been a bit of a line-up change in Weekend Recovery only a couple of days before this gig, so I was interested as to whether this affected their sound. It really didn’t, Lauren has the talent and personality to overcome the changes and although there was some initial nervousness and off mic chat they blasted through their set without a problem. These are a seriously good bunch of musicians, they have some great power alt/pop tunes and are a very nice group of people too. I have to add that the recent Weekend Recovery single is the current school run tune, my daughter is word perfect on it - and it is a rather distracting earworm when I should be concentrating on something else. Here’s hoping that you get a settled line-up and that the new single gets picked up quickly.
PUNCH DRUNK
After failing the memory test, (I recognised drummer Colette, but forgot her previous bands name, and knew that the guy - Ben was out of another band, but again struggled) I thought that I owed it to the little grey cells to see what this was all about. And of course Punch Drunk played a great set, they play a solid ‘tip your hat to the 90’s’ grunge type of music, and they do it very well. I will keep an eye out for their name on subsequent gigs - I’ll do my best to remember next time.
SCREECH BATS
Another band not on the radar - until now. I think that Tommy (Minatore) and then the whole of the Diablofurs gang highly recommended the Screech Bats. Well, for the uninitiated (not me any more) they are an all female 4 piece band from London town, and they are very special. A complete musical experience, fantastic range on vocals, the slow tracks are melodic and the raunchy rocking numbers are all that. Screech Bats make a great sound, and they totally nailed their set and rocked The Maze.
DIABLOFURS
The highlight of the weekend for me. I’ve been to a few of their local gigs recently, this was the first time that I’d seen them perform as a 5-piece. I was not alone in smiling, dancing and joining in from the start of their set to the finish. Great glam, power-pop punk, there’s no escape, every song has a catchy chorus, a killer hook and whether you’ve heard it once or a number of times you just have to join in. Don’t try to categorize Diablofurs, just look them up and go and see them. They have got themselves on the radar of a few promoters recently, and I’m pretty sure that they will become a very popular (and busy) band. The new single is out soon, (would love to review it Rob/Suze), I intended to record it, but forgot to hit record - not even drunk - as I was probably singing/dancing (not at the same time though). Biased? Who the fook cares - they made a great weekend even better.
HANDS OFF GRETEL
After some initial amp issues HOG kicked off their set with real meaning. They have quickly established themselves as a headline act, and really grown into that role with no problem at all. Their following is growing all of the time, not only because of their music but because of their online presence and their accessibility to their fans. I enjoy their music, a lot. It’s well-written and expertly performed. It was fitting that Hands Off Gretel, a female fronted rock band, finished this great weekend.
A lot of the bands stayed and supported the others, people came and went over the two days, I really hope that the promoters Headcheck Records see this festival as having been a success and that it continues. As a punter who came for the two days and spent about 15 quid on tickets, (but considerably more on merch n booze) I say thanks, and hope to do this again soon.
T.O.R. / IN AND OUT OF SLEEP / THE MACGREGORS / BORN TO DESTRUCT : 1/4/17
Five bands giving it their all in an upstairs room above a pub, sounds like it could be London, Manchester, Glasgow…… nope, Cambridge! Ok let’s give it a go -
There was a lot going on this weekend, many great bands and gigs all across the Country, but there was really only one place for me. I rocked up at the Waterfront Pub in Cambridge to be told that van problems had caused the main band to withdraw. Oh well, that leaves four and it’s 3 quid on the door, still a bargain.
The line up was (click on band name for links to Facebook pages)
T.O.R
In and out of sleep
The Macgregors
Born To Destruct
First up T.O.R (or to give them their Sunday name) THE ONLY ROUTE,
They are a young three piece from Lowestoft, with lead vox and guitar coming from slightly Oasis-ish frontman Ryan, a bassist looking like he’d rushed to the venue from his office job and forgot to change (sorry Andrew) and a drummer, Phil who actually looked (and sounded) the part.
Right, setting appearances to one side the important bit is the music, T.O.R play a raw style alternative rock tinged with a punk influence and delivered well, they brought along some of their mates (and dad) and got the audience moving from the get go.
These guys impressed me, they’ve got some catchy, fresh sounding tunes and after overcoming a couple of early technical difficulties they ripped through their set, occasionally pausing for breath. and having a chat to the crowd.
T.O.R. have been around for a relatively short time, but I reckon that they have a great chance of being around for a long while to come. Here’s a link to ‘Nothing Less’, (which I think is pretty good).
A great start to the proceedings, T.O.R are an alt rock band that I see fitting into a garage/street punk bill.
In and out of sleep came next, a more established 4 piece from Ipswich. They had less of a raw edge and vocally, they reminded me a bit of The Rembrandts (Friends TV Theme tune).
They served up a cocktail of melodic emo/punk. The accomplished solid set, seemed to be over very quickly as one tune quickly followed another. I think that In and out of sleep are a bit too polished for my uncouth tastes, but ‘Call It What You Will’ is a very strong and catchy number. The link here gives you access to the tracks of their EP.
I hope you don't mind EP - please donate if you choose to download as it's really rather good.
The MacGregors, are a hit you between the eyes, no holds barred 5 piece rock band from Essex. Trying to shoe horn this lot into a cosy musical genre is impossible, in fact it has been said that they were recently rejected by all genres at an extraordinary general meeting of the musical genre committee.
A few months ago it looked like this band would be consigned to the rock graveyard, but Rab (the excellent frontman) MacGregor overcame a serious health scare and is now well on the road to recovery and has put together a new line up. The throbbing love machine soon spluttered into life and they delivered a barrage of catchy, sing-along and oft-times bawdy rock songs. The band sounded excellent and their pre gig nerves proved to be unnecessary. The rowdiness was building, aided and abetted by a partisan crowd and some excellent tunes.
I’m very glad that The MacGregors will keep on rocking out and entertaining us, Adrian has moved onto lead guitar and the addition of a young Clint Eastwood on bass is a masterstroke. Honourable mention goes to Clive the new (but old) drummer, he has slotted in really well.
You Tube Reverbnation
Finally came Born To Destruct, just like a juggernaut ploughing through a field of pumpkins, they smashed it. How can you not enjoy this band? With their full on destruction rock n roll, catchy guitar driven songs delivered straight from the heart.
Born To Destruct perform cleverly written arms in the air crowd pleasers, and in Woodstock they have a gem of a frontman, growling vocals and powerful guitar hide the fact that this bloke has a heart as big as a bucket and quietly takes time out to help loads of people get through life with a smile on their face.
There was no stopping them, even a blown amp couldn’t stop this lot. They provided a performance of Tyrannosaurus Rex proportions, and to cap it all the hardest working roadie in the business Dicky Destruct joined in the fun and had everyone dancing and singing along.
Curfew came all too soon, just time to buy some more BTD merch and then it was back to the hotel, ears ringing, voice gone and smiling from ear to ear. Four bands for 3 quid? What an excellent night - well played.
REVERBNATION
The MacGregors and Born To Destruct have a few gigs planned, check out their pages on Facebook and Reverbnation for more details. I would however suggest that Juzbcuz Festival at the Victoria Bikers Pub in Coalville is a must for the diary (Late April) and the BTD birthday gig at The Cutlers Arms, Rotherham is another.
Check back here for a couple of videos from the night - these will be uploaded shortly.
There was a lot going on this weekend, many great bands and gigs all across the Country, but there was really only one place for me. I rocked up at the Waterfront Pub in Cambridge to be told that van problems had caused the main band to withdraw. Oh well, that leaves four and it’s 3 quid on the door, still a bargain.
The line up was (click on band name for links to Facebook pages)
T.O.R
In and out of sleep
The Macgregors
Born To Destruct
First up T.O.R (or to give them their Sunday name) THE ONLY ROUTE,
They are a young three piece from Lowestoft, with lead vox and guitar coming from slightly Oasis-ish frontman Ryan, a bassist looking like he’d rushed to the venue from his office job and forgot to change (sorry Andrew) and a drummer, Phil who actually looked (and sounded) the part.
Right, setting appearances to one side the important bit is the music, T.O.R play a raw style alternative rock tinged with a punk influence and delivered well, they brought along some of their mates (and dad) and got the audience moving from the get go.
These guys impressed me, they’ve got some catchy, fresh sounding tunes and after overcoming a couple of early technical difficulties they ripped through their set, occasionally pausing for breath. and having a chat to the crowd.
T.O.R. have been around for a relatively short time, but I reckon that they have a great chance of being around for a long while to come. Here’s a link to ‘Nothing Less’, (which I think is pretty good).
A great start to the proceedings, T.O.R are an alt rock band that I see fitting into a garage/street punk bill.
In and out of sleep came next, a more established 4 piece from Ipswich. They had less of a raw edge and vocally, they reminded me a bit of The Rembrandts (Friends TV Theme tune).
They served up a cocktail of melodic emo/punk. The accomplished solid set, seemed to be over very quickly as one tune quickly followed another. I think that In and out of sleep are a bit too polished for my uncouth tastes, but ‘Call It What You Will’ is a very strong and catchy number. The link here gives you access to the tracks of their EP.
I hope you don't mind EP - please donate if you choose to download as it's really rather good.
The MacGregors, are a hit you between the eyes, no holds barred 5 piece rock band from Essex. Trying to shoe horn this lot into a cosy musical genre is impossible, in fact it has been said that they were recently rejected by all genres at an extraordinary general meeting of the musical genre committee.
A few months ago it looked like this band would be consigned to the rock graveyard, but Rab (the excellent frontman) MacGregor overcame a serious health scare and is now well on the road to recovery and has put together a new line up. The throbbing love machine soon spluttered into life and they delivered a barrage of catchy, sing-along and oft-times bawdy rock songs. The band sounded excellent and their pre gig nerves proved to be unnecessary. The rowdiness was building, aided and abetted by a partisan crowd and some excellent tunes.
I’m very glad that The MacGregors will keep on rocking out and entertaining us, Adrian has moved onto lead guitar and the addition of a young Clint Eastwood on bass is a masterstroke. Honourable mention goes to Clive the new (but old) drummer, he has slotted in really well.
You Tube Reverbnation
Finally came Born To Destruct, just like a juggernaut ploughing through a field of pumpkins, they smashed it. How can you not enjoy this band? With their full on destruction rock n roll, catchy guitar driven songs delivered straight from the heart.
Born To Destruct perform cleverly written arms in the air crowd pleasers, and in Woodstock they have a gem of a frontman, growling vocals and powerful guitar hide the fact that this bloke has a heart as big as a bucket and quietly takes time out to help loads of people get through life with a smile on their face.
There was no stopping them, even a blown amp couldn’t stop this lot. They provided a performance of Tyrannosaurus Rex proportions, and to cap it all the hardest working roadie in the business Dicky Destruct joined in the fun and had everyone dancing and singing along.
Curfew came all too soon, just time to buy some more BTD merch and then it was back to the hotel, ears ringing, voice gone and smiling from ear to ear. Four bands for 3 quid? What an excellent night - well played.
REVERBNATION
The MacGregors and Born To Destruct have a few gigs planned, check out their pages on Facebook and Reverbnation for more details. I would however suggest that Juzbcuz Festival at the Victoria Bikers Pub in Coalville is a must for the diary (Late April) and the BTD birthday gig at The Cutlers Arms, Rotherham is another.
Check back here for a couple of videos from the night - these will be uploaded shortly.
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Punk N' Ale Fest, Warsop
(photos courtesy of Gerald Underwood)
Probably one of the trickier venues to find but certainly one of the friendliest. The line up for this Punk N’ Ale all day festival deserved a bigger crowd, the venue can certainly handle it. At 15 quid a ticket and craft beer and cider at £2:50 a pint it certainly brought a smile to the face. Unfortunately public transport links to and from Warsop aren’t great and hotels (closest probably a couple of miles away) weremore than likely a factor for people here. I even looked at Air bnb but nothing really suitable, next time I will be more organised!
And so to the line up, congratulations to Both Eyes Open promotions, it was a great one, some local bands, some from further afield and all of them really got stuck in and put on a great show.
Local all female trio Desensitised opened up, a band that I first saw in Nottingham a few months ago. They seemed more comfortable on home turf and although it’s not easy starting off the proceedings that early in the afternoon, they did so, and I think they grew into their set and got a good reaction.
Next up, and on the nearby big stage was Terminal Rage, I thought that this was a first time watch for me (though I’ve checked back and now realise that I have seen em before, somewhat under the influence- sorry). Not the case this time, and this was a thoroughly enjoyable and super-charged set, these guys really hit the spot, a bit of Saturday afternoon politics and anti racism - cracker. What a start!
And then we walked back over to the smaller stage, but still in the same hal,l to watch the most hip and happening band on the current scene. The Blue Carpet Band, it was half 3 in the afternoon, the band had arrived from London in an assortment of motors with lead singer Djamel suffering from some kind of antipodean fever (or a cold). And no word of a lie guvnor, they blew the bloody doors off. A mid afternoon set that got folk dancing, and yet again there were other musicians gathering around to have a listen and a look. Their garage punk roared off of the grid and didn't stop until everyone had stopped and took notice. The festival was well underway, couldn't wish for a better start. I was very happy indeed.
And then came Mick O’Toole, another great band, top scrumpy drinkers but a bit bloody careless with their bass players. Another top drawer set, there really should’ve been a hot and sweaty seething mass of bodies in front of the stage at this time, the music certainly deserved it. I got a few pics and started to record Dirty Auld Town, but then I decided to get all hot and sweaty and a little bit vocal all by myself, I stopped the recording as I can't multitask, but you can still check the mini clip out on the punkmonger FaceBook page.
Leicester Ska punksters Last Edition fired up next, a great local band, they managed to keep everyone moving, I've always been a sucker for Hazel O'Connor, maybe it's a sax thing. With Sam giving it some woolly hatted largeness on Sax they certainly kept everyone dancing. This band really do have that summer-time festival feel. (Here comes an admission - ska for me is always a summer vibe - it’s windows down and sun on the face music and Last Edition captured that).
The last time that I saw 3 Stone Monkey was at a P4TH gig and they got quite well and truly MacGregorred with a side helping of Woodstock. They were up on the main stage this time and well out of harms way - the band sounded totally different without furniture being hung on their instruments. If it wasn’t for Cretey saying that they hadn’t practised for ages they would’ve got away with it! Well done 3SM another enjoyable set.
Static Kill came next, a step change to what had gone before, and no matter how many times I see them I always come away being surprised and impressed. I guess that the stools and just the understated way that it all happens does that to me. I always find myself singing along to their catchy commentaries on Nottingham life, proper job.
After all of the above I was ready for a bit of a break, it was Septic Psychos, and I apologise that I missed a lot of the set with a toilet break and a bit of fresh air required. I caught the last few numbers and realised that I had seen them in Sheffield supporting UK Subs. I guess the ‘I’m not Racist just Bald’ slogan stuck in my head!
And then along came Hands Off Gretel, a band that I’ve followed for a little while now. This band are very much ‘on trend’ they have the right sound and on stage charisma to really go places. The set was slick and absolutely rocketed by. It probably would’ve been better for them to be on the elevated stage as some of the crowd seemed to be quite close to Lauren and it was tricky to see past them.
From one rocking sound to another, totally different but absolutely brilliant. Criminal Mind just got straight into their set, they started off at 100mph and accelerated through. I’m always left out of breath just watching them, high energy, ripping riffs and bass lines on their guitars and bouncing around like free runners in a New York back alley. Can't get enough of these guys, never fail to impress and excite. A highlight for me.
And then another skilful step change, but just as strong. Headsticks came on a bit earlier as there was a no show from March to The Grave, and that was OK, these gentlemen of the folk punk genre totally rock. The heartfelt passion and skilfull performance from this band always strikes a chord with me, (but then you already know that). More (measured) dancing and lots of singing, I mean how can you not want a revolution on a Saturday night. And once they had done that brought the night to a close for me. I said my goodbyes and disappeared into the depths of Sherwood Forest - I had reasons, I won't bore you with them.
I missed the last two bands, I was tempted to stay, it was such a great day, and for the sake of saving face I could give you a few sentences on each of the last two bands, but I wouldn't do them or myself justice do. I'd just like to add that I’ve heard nothing but positive comments about the whole day, and I know that the performances of Riot Squad and Hung Like Hanratty added to the party, just as I knew they would.
The promoters, the venue and the excellent and hard working sound guy all did good. Badaxe compered, (he didn't do that well to be honest!) I hope that this happens again, and hopefully there will be a lot more folk to come along and enjoy and appreciate the hard work and great bands.
And so to the line up, congratulations to Both Eyes Open promotions, it was a great one, some local bands, some from further afield and all of them really got stuck in and put on a great show.
Local all female trio Desensitised opened up, a band that I first saw in Nottingham a few months ago. They seemed more comfortable on home turf and although it’s not easy starting off the proceedings that early in the afternoon, they did so, and I think they grew into their set and got a good reaction.
Next up, and on the nearby big stage was Terminal Rage, I thought that this was a first time watch for me (though I’ve checked back and now realise that I have seen em before, somewhat under the influence- sorry). Not the case this time, and this was a thoroughly enjoyable and super-charged set, these guys really hit the spot, a bit of Saturday afternoon politics and anti racism - cracker. What a start!
And then we walked back over to the smaller stage, but still in the same hal,l to watch the most hip and happening band on the current scene. The Blue Carpet Band, it was half 3 in the afternoon, the band had arrived from London in an assortment of motors with lead singer Djamel suffering from some kind of antipodean fever (or a cold). And no word of a lie guvnor, they blew the bloody doors off. A mid afternoon set that got folk dancing, and yet again there were other musicians gathering around to have a listen and a look. Their garage punk roared off of the grid and didn't stop until everyone had stopped and took notice. The festival was well underway, couldn't wish for a better start. I was very happy indeed.
And then came Mick O’Toole, another great band, top scrumpy drinkers but a bit bloody careless with their bass players. Another top drawer set, there really should’ve been a hot and sweaty seething mass of bodies in front of the stage at this time, the music certainly deserved it. I got a few pics and started to record Dirty Auld Town, but then I decided to get all hot and sweaty and a little bit vocal all by myself, I stopped the recording as I can't multitask, but you can still check the mini clip out on the punkmonger FaceBook page.
Leicester Ska punksters Last Edition fired up next, a great local band, they managed to keep everyone moving, I've always been a sucker for Hazel O'Connor, maybe it's a sax thing. With Sam giving it some woolly hatted largeness on Sax they certainly kept everyone dancing. This band really do have that summer-time festival feel. (Here comes an admission - ska for me is always a summer vibe - it’s windows down and sun on the face music and Last Edition captured that).
The last time that I saw 3 Stone Monkey was at a P4TH gig and they got quite well and truly MacGregorred with a side helping of Woodstock. They were up on the main stage this time and well out of harms way - the band sounded totally different without furniture being hung on their instruments. If it wasn’t for Cretey saying that they hadn’t practised for ages they would’ve got away with it! Well done 3SM another enjoyable set.
Static Kill came next, a step change to what had gone before, and no matter how many times I see them I always come away being surprised and impressed. I guess that the stools and just the understated way that it all happens does that to me. I always find myself singing along to their catchy commentaries on Nottingham life, proper job.
After all of the above I was ready for a bit of a break, it was Septic Psychos, and I apologise that I missed a lot of the set with a toilet break and a bit of fresh air required. I caught the last few numbers and realised that I had seen them in Sheffield supporting UK Subs. I guess the ‘I’m not Racist just Bald’ slogan stuck in my head!
And then along came Hands Off Gretel, a band that I’ve followed for a little while now. This band are very much ‘on trend’ they have the right sound and on stage charisma to really go places. The set was slick and absolutely rocketed by. It probably would’ve been better for them to be on the elevated stage as some of the crowd seemed to be quite close to Lauren and it was tricky to see past them.
From one rocking sound to another, totally different but absolutely brilliant. Criminal Mind just got straight into their set, they started off at 100mph and accelerated through. I’m always left out of breath just watching them, high energy, ripping riffs and bass lines on their guitars and bouncing around like free runners in a New York back alley. Can't get enough of these guys, never fail to impress and excite. A highlight for me.
And then another skilful step change, but just as strong. Headsticks came on a bit earlier as there was a no show from March to The Grave, and that was OK, these gentlemen of the folk punk genre totally rock. The heartfelt passion and skilfull performance from this band always strikes a chord with me, (but then you already know that). More (measured) dancing and lots of singing, I mean how can you not want a revolution on a Saturday night. And once they had done that brought the night to a close for me. I said my goodbyes and disappeared into the depths of Sherwood Forest - I had reasons, I won't bore you with them.
I missed the last two bands, I was tempted to stay, it was such a great day, and for the sake of saving face I could give you a few sentences on each of the last two bands, but I wouldn't do them or myself justice do. I'd just like to add that I’ve heard nothing but positive comments about the whole day, and I know that the performances of Riot Squad and Hung Like Hanratty added to the party, just as I knew they would.
The promoters, the venue and the excellent and hard working sound guy all did good. Badaxe compered, (he didn't do that well to be honest!) I hope that this happens again, and hopefully there will be a lot more folk to come along and enjoy and appreciate the hard work and great bands.
Blue Carpet Band/Ming City R*ckers/Heavy Drapes
With enough eye candy to open a porn stall at the Funfair of Naughtiness The Blue Carpet Band walked onto the stage and opened up a great triple bill of moistly anticipated bands at The Kingfisher Pub, Corby.
And what an opener! The first time that I saw the Blue Carpet Band was when they performed at T-Chances, London. That was just over a year ago, I’ve seen them between then and this Saturday night extravaganza. Their progress, and popularity has been justifiably meteoric, euphoric and increasingly sonic.
They have a most charismatic lead singer - someone who manages to turn some weak at the knees and others thinking that he is uber cool. Djamel made the BCB very watchable, and the rawness and rough edges of their early sound was easily overlooked due to his stage presence and his propensity for taking his top off. Those early rough edges have now been replaced with a fast paced, growling well-oiled musical machine, with Djamel still taking his top off.
The whole band now come together as one, and are reminiscent of a massive throbbing beast, one that grabs you from the opening bars of their first number and then toys with you, and it doesn’t let you go until the last note dies. Hot, sweaty and hoarse you are released from the thrall of the Blue Carpet 'Beast' in a rather more satisfied state than is probably good for you.
Their new album was released on Friday, it is a classic, full of energy, fast guitars and driving drums. Add to that the accomplished vocals and excellent production and you have a memorable debut album. Just like their live sets, the album is over far too quickly, but somehow leaves you happy, satisfied and smiling.
Corby is not the 100 Club or The Marquee, but believe me, there were 'faces' in the crowd, members of other bands, established highly regarded musicians who had come along to see these bands play, The Blue Carpet Band got some very high praise indeed.
Social media comments have likened them to The Stooges, MC5, The Damned and many other iconic bands. I'm not going to add to the 'they remind me of' exercise, but I would say that their performance on Saturday put me in mind of how I felt when I first saw Thin Lizzy or Alice Cooper play. They had the crowd with them from start to finish, exciting and excellent at the same time.
The next band on was Ming City R*ckers, a first look for me but I have listened to and enjoyed a lot of their music. Maybe the comedic nature of the videos wrong footed me when seeing them live. Ming City R*ckers seem to revel in their own onstage unease and diffidence, their music is fresh, sharp and erm… edgy, the edginess being more to the fore in their live performance. I enjoyed their set, last years album, Lemon is a great listen and I was pleased that the set featured tracks from it. Sell Me a Lemon highlights fully the dangers of fruit based addiction and abuse - there's a crackanory story in here somewhere.
I have since re-visited a few of their tracks, just to get the vibe straight in my head, and believe that the onstage angst that I felt they had is less obvious on these recordings. Their music videos are highly watchable and definitely more tongue in cheek than I expected. Maybe my feelings of concern were unfounded and I misread them, I will see the Ming City R*ckers again, in fact I am looking forward to it.
The final band are a current favourite of mine, they have a great back story and are excellent company. Heavy Drapes hail from Edinburgh, they are determined to wrestle the old style punk ethos into the present day, they hold nothing back and they are unrelenting in their quest for glory. There are a few bands who have tried to go down this path, most coming up short through lack of belief or ability.
Heavy Drapes have the belief, the ability and the attitude to pull it off and hopefully drag those neanderthals amongst us into the bright lights of the present day. Their set was powerful and polished, the best that I have seen them perform, it certainly didn’t feel like they had set off from their homes on the morning of the gig and driven over 300 miles to put on this show for us. They have a loyal following, and for very good reason, their music is excellent punk n’ roll, it is clever, a bit grown up in places and has you dancing and wrecklessly singing along with every track.
In De Liberate we were treated to another excellent front man, style and arrogance backed up with a belief in their music. Rikki Stiv and Jerry Dangerous were totally on point, really tight, their guitar sound was an absolute joy. And then Billy Chaos, well Billy is top of the good guys chart. And he rocks, big time, another top Rock n' Roll drumming masterclass, a great performance in the face of alcohol adversity.
The night drew to a close all too quickly, we had danced and sung, I had drunk and laughed - the BCB, the Ming City R*ckers and Heavy Drapes and their excellent bunch of travelling fans and the indefatigable Corby faithful (I'll explain the next time I visit) made this a night to remember, and that is what I am finding it hard to do.
Mars Productions are bringing some great bands to Corby, keep a check on them and the local Corby venues, I’ve always enjoyed my punk (ad)ventures in this town, and this was one of the finest. I will be back. Thanks.
And what an opener! The first time that I saw the Blue Carpet Band was when they performed at T-Chances, London. That was just over a year ago, I’ve seen them between then and this Saturday night extravaganza. Their progress, and popularity has been justifiably meteoric, euphoric and increasingly sonic.
They have a most charismatic lead singer - someone who manages to turn some weak at the knees and others thinking that he is uber cool. Djamel made the BCB very watchable, and the rawness and rough edges of their early sound was easily overlooked due to his stage presence and his propensity for taking his top off. Those early rough edges have now been replaced with a fast paced, growling well-oiled musical machine, with Djamel still taking his top off.
The whole band now come together as one, and are reminiscent of a massive throbbing beast, one that grabs you from the opening bars of their first number and then toys with you, and it doesn’t let you go until the last note dies. Hot, sweaty and hoarse you are released from the thrall of the Blue Carpet 'Beast' in a rather more satisfied state than is probably good for you.
Their new album was released on Friday, it is a classic, full of energy, fast guitars and driving drums. Add to that the accomplished vocals and excellent production and you have a memorable debut album. Just like their live sets, the album is over far too quickly, but somehow leaves you happy, satisfied and smiling.
Corby is not the 100 Club or The Marquee, but believe me, there were 'faces' in the crowd, members of other bands, established highly regarded musicians who had come along to see these bands play, The Blue Carpet Band got some very high praise indeed.
Social media comments have likened them to The Stooges, MC5, The Damned and many other iconic bands. I'm not going to add to the 'they remind me of' exercise, but I would say that their performance on Saturday put me in mind of how I felt when I first saw Thin Lizzy or Alice Cooper play. They had the crowd with them from start to finish, exciting and excellent at the same time.
The next band on was Ming City R*ckers, a first look for me but I have listened to and enjoyed a lot of their music. Maybe the comedic nature of the videos wrong footed me when seeing them live. Ming City R*ckers seem to revel in their own onstage unease and diffidence, their music is fresh, sharp and erm… edgy, the edginess being more to the fore in their live performance. I enjoyed their set, last years album, Lemon is a great listen and I was pleased that the set featured tracks from it. Sell Me a Lemon highlights fully the dangers of fruit based addiction and abuse - there's a crackanory story in here somewhere.
I have since re-visited a few of their tracks, just to get the vibe straight in my head, and believe that the onstage angst that I felt they had is less obvious on these recordings. Their music videos are highly watchable and definitely more tongue in cheek than I expected. Maybe my feelings of concern were unfounded and I misread them, I will see the Ming City R*ckers again, in fact I am looking forward to it.
The final band are a current favourite of mine, they have a great back story and are excellent company. Heavy Drapes hail from Edinburgh, they are determined to wrestle the old style punk ethos into the present day, they hold nothing back and they are unrelenting in their quest for glory. There are a few bands who have tried to go down this path, most coming up short through lack of belief or ability.
Heavy Drapes have the belief, the ability and the attitude to pull it off and hopefully drag those neanderthals amongst us into the bright lights of the present day. Their set was powerful and polished, the best that I have seen them perform, it certainly didn’t feel like they had set off from their homes on the morning of the gig and driven over 300 miles to put on this show for us. They have a loyal following, and for very good reason, their music is excellent punk n’ roll, it is clever, a bit grown up in places and has you dancing and wrecklessly singing along with every track.
In De Liberate we were treated to another excellent front man, style and arrogance backed up with a belief in their music. Rikki Stiv and Jerry Dangerous were totally on point, really tight, their guitar sound was an absolute joy. And then Billy Chaos, well Billy is top of the good guys chart. And he rocks, big time, another top Rock n' Roll drumming masterclass, a great performance in the face of alcohol adversity.
The night drew to a close all too quickly, we had danced and sung, I had drunk and laughed - the BCB, the Ming City R*ckers and Heavy Drapes and their excellent bunch of travelling fans and the indefatigable Corby faithful (I'll explain the next time I visit) made this a night to remember, and that is what I am finding it hard to do.
Mars Productions are bringing some great bands to Corby, keep a check on them and the local Corby venues, I’ve always enjoyed my punk (ad)ventures in this town, and this was one of the finest. I will be back. Thanks.
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WEEKEND RECOVERY : BATH INN, NOTTINGHAM
26/02/17
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Having already reviewed the 'Don't Try and Stop Me' single it would've been rude to ignore the fact that this gig was happening on my doorstep. Having said that, I was a little surprised at the venue - I've not been to the Bath Inn (opposite Sneinton Market) before. I was aware that it was a pub/bar with a chip shop inside but didn't know that it had regular live music on Sundays (when the chip shop is having a rest). There is a bar area on one side and another small room opposite where there is a small stage. The sound was ok, the use of a dry ice machine was uneccessary, (maybe a bit of stage lighting would be better than choking the band).
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The line up was rock(ish) and so I was intent on being open minded. As it happens I found one of the other bands, Rise of the Tomahawk a good listen, and will keep an eye out for these again, the other two bands not as much. Weekend Recovery were (and are) a joy, really lovely people and very talented too. Lorin has a great stage presence and a real aura when centre stage, the guitarists are tight and bloody good, they compliment each other really well, Jordan on lead has a twinkle in his eyes and in his fingers, he does a great job. I didn't notice a slip throughout the set. And then the drums, Artur totally nailed it - very skilful and drove every track like he owned it. I've seen a fair few musically accomplished bands recently and this young band are right up there.
I repeat what I said earlier, Weekend Recovery have the talent and the sound to go big. Don't Try and Stop Me is a fantastic single, but the rest of their set was just as strong, great live, professional in outlook and behaviour and very nice people. Promoters and Festivals would do well to take note, they get a big tick from me.
I repeat what I said earlier, Weekend Recovery have the talent and the sound to go big. Don't Try and Stop Me is a fantastic single, but the rest of their set was just as strong, great live, professional in outlook and behaviour and very nice people. Promoters and Festivals would do well to take note, they get a big tick from me.
Punk 4 The Homeless
Sumac Centre, Nottingham
Punk 4 the Homeless celebrated their 7 year anniversary at the Sumac Centre, Forest Fields, Nottingham. It was a brilliant night, a great friendly venue, a cheap bar run by volunteers, pre gig vegan grub, and a strong lineup.
I’m not going to bang on about the cause and the ethos behind these shows, the Facebook links for bands, P4TH and the Sumac Centre are highlighted in blue, other links can be found at the end of the review, I’ll just say that both the charity and the venue deserve huge support, challenging corrupt authority and helping homeless children wherever they are in the world is at the heart of punk rock. Additional mention and congratulations must also go to Gary and Rachel Eagling and a massive thanks for putting on these events over the last 7 years in Nottingham.
And now on with the show, each band who played waived all fees, they put on a great night, each one stayed to support the other bands and they were all happy to have a chat with the punters between their sets and afterwards.
Black Widows opened, a 5 piece punk band from Tamworth. Their set was primarily their own stuff with a couple of punk covers thrown in along the way. First time seeing this band and I enjoyed their set, probably need a second listen to totally get them. A good start to the evening, a band that I will definitely see again, added to the list.
Second up was Truth Equals Treason, anarcho-punk from the historic and genteel city of Lincoln of all places! Apart from some technical vocal glitches these guys put on a great set,they were certainly on message in the current times. They ripped through their numbers at a fair old lick and I was impressed. They have been together for a relatively short period, they have a good stage presence and will no doubt grow in stature as the bookings come in. They have a new EP release (duly purchased). I can see this band becoming a regular at the Sumac, and many other venues too, a good bunch with a lively travelling entourage.
Third on was The Mispelt, I have no idea how I have missed this band up until now. I recently read an article that suggested a three piece band would always be limited as to how it performed. I found myself nodding in agreement, for a second or so and then realised that it was bollocks. Bands such as First Wave, Hi-Fi Spitfires, XSLF, Pussycat & the Dirty Johnsons and (of course) Motorhead, and now The Mispelt prove this to be so. What an exceptional set they provided, diverse in nature, strong throughout, it was mild anger and energy nuanced with musical expertise and the occasional sneer. I am a fan, I welcome The Mispelt to the Punkmonger playlist.
Finally, the roarsomely rowdy Born to Destruct, I admit that I have their T-shirts, fridge magnets, Christmas decorations and CD’s and so this bit of the review will be easy. How great that Kev, the drummer from The Mispelt towelled himself down and then deputised on the skins for BTD, a testament to his skill and expertise. This of course meant that Woodstock, Tap and Spiderfingers Stu were able to ply their trade up at the front. A rip roaring set, there was dancing and singing, and a bit of Woodstock banter too, oh! and there was some excellent impromptu moshing, (good natured, but a bit dodgy when the playing area and band are on the same level and within inches of the moshpit). It was totally roarsome, destruction rock n roll at it’s finest, Dicky (more than just a roadie) Destruct provided additional vocals and Dunk from The Mispelt jumped on with guitar in hand for a jam. And how we smiled - a lot.
What a great way to celebrate 7 years, I hope that we will all be around to celebrate 8 years in 2018.
I’m not going to bang on about the cause and the ethos behind these shows, the Facebook links for bands, P4TH and the Sumac Centre are highlighted in blue, other links can be found at the end of the review, I’ll just say that both the charity and the venue deserve huge support, challenging corrupt authority and helping homeless children wherever they are in the world is at the heart of punk rock. Additional mention and congratulations must also go to Gary and Rachel Eagling and a massive thanks for putting on these events over the last 7 years in Nottingham.
And now on with the show, each band who played waived all fees, they put on a great night, each one stayed to support the other bands and they were all happy to have a chat with the punters between their sets and afterwards.
Black Widows opened, a 5 piece punk band from Tamworth. Their set was primarily their own stuff with a couple of punk covers thrown in along the way. First time seeing this band and I enjoyed their set, probably need a second listen to totally get them. A good start to the evening, a band that I will definitely see again, added to the list.
Second up was Truth Equals Treason, anarcho-punk from the historic and genteel city of Lincoln of all places! Apart from some technical vocal glitches these guys put on a great set,they were certainly on message in the current times. They ripped through their numbers at a fair old lick and I was impressed. They have been together for a relatively short period, they have a good stage presence and will no doubt grow in stature as the bookings come in. They have a new EP release (duly purchased). I can see this band becoming a regular at the Sumac, and many other venues too, a good bunch with a lively travelling entourage.
Third on was The Mispelt, I have no idea how I have missed this band up until now. I recently read an article that suggested a three piece band would always be limited as to how it performed. I found myself nodding in agreement, for a second or so and then realised that it was bollocks. Bands such as First Wave, Hi-Fi Spitfires, XSLF, Pussycat & the Dirty Johnsons and (of course) Motorhead, and now The Mispelt prove this to be so. What an exceptional set they provided, diverse in nature, strong throughout, it was mild anger and energy nuanced with musical expertise and the occasional sneer. I am a fan, I welcome The Mispelt to the Punkmonger playlist.
Finally, the roarsomely rowdy Born to Destruct, I admit that I have their T-shirts, fridge magnets, Christmas decorations and CD’s and so this bit of the review will be easy. How great that Kev, the drummer from The Mispelt towelled himself down and then deputised on the skins for BTD, a testament to his skill and expertise. This of course meant that Woodstock, Tap and Spiderfingers Stu were able to ply their trade up at the front. A rip roaring set, there was dancing and singing, and a bit of Woodstock banter too, oh! and there was some excellent impromptu moshing, (good natured, but a bit dodgy when the playing area and band are on the same level and within inches of the moshpit). It was totally roarsome, destruction rock n roll at it’s finest, Dicky (more than just a roadie) Destruct provided additional vocals and Dunk from The Mispelt jumped on with guitar in hand for a jam. And how we smiled - a lot.
What a great way to celebrate 7 years, I hope that we will all be around to celebrate 8 years in 2018.
Gig review : The MAze 13/01/17
Radioactive Rats/ First Wave/ Headsticks
Another visit to The Maze in Nottingham, and another chance to see First Wave and the Headsticks. Even the late cancellation from The Reverends (hope all works out ok there) couldn’t dampen my enthusiasm for this gig. I usually try not to double up on bands that I have reviewed recently, but this night was a bit special.
One of my great friends (we've been to many punk gigs, festivals and overseas concerts together over the years) has settled back in Nottingham, and it didn’t take us long to target a few interesting gigs to re-acquaint ourselves with the local scene. On a weekend where there was some pretty spectacular line ups I was more than happy with this one, and so it proved.
A customary pint and a meet up in Foremans started the evening, and a quick check of the new posters, Duncan Reid with The Fuckwits acoustic night looks interesting, (watch this space). And then a walk up to The Peacock, this old pub now markets itself as a Victorian Pub & Vegan Restaurant, not sure what an all day breakfast is doing on the menu! But a lovely atmosphere and the fact that they had a record deck on the bar and rows of vinyl above the optics scored them high praise. Time was moving on and it was time to unpack the crampons and head further on up the hill, a breather (and a pint) in The Lincolnshire Poacher, surprisingly quiet for a Friday night gave us the chance to ‘swing the light’ and reminisce about the old days type of chat.
Finally to The Maze, and in good time to get a beer in a proper glass before the doors opened into the back room.
First up was Radioactive Rats, a new band for me, they are a Nottingham based 5-piece with a female vocalist, they bill themselves as Polish Hardcore, they do exactly what it says on the tin. It is clear that they are very accomplished musicians, I didn’t find myself drawn into their set, (hardcore is hit and miss for me) but I will give them another go.
They played with lots of ability and energy, I noted that they brought a good number of fans in with them, and the band and their fans stayed for the whole night and danced along with the rest of us during the next two sets. It was also great to see band members from Hung Like Hanratty and Verbal Warning in the crowd. It all added to a great atmosphere.
Next came First Wave, a Leicester 3-piece of fine punk rock technicians. I’ve seen them a few times recently, I always enjoy them, and they are excellent company too. Well, tonight they absolutely nailed it, right from the opening number until their final goodbye. Melodic punk of the highest order, delivered with feeling and a real good vibe tonight.
First Wave are always a good watch, with singalong numbers and some punk-rocking guitar, tonight was a night where they clicked, (I’m pretty sure that they felt it too), but they’re too modest to say so! Put these guys on your radar, they probably won’t shout it from the rooftops, but they are up there with the best live punk bands out there at the moment.
New tracks are in the offing, and an album too. They deserve bigger recognition, I’m sure that they will get it too. Promoters/Venues/Festivals you should really get these guys on, they are sounding great.
And then came Headsticks, with a slightly different set, they added in some new numbers, (all very good indeed) and the set just flew by, the singing, the dancing and the general enjoyment is there in each and every song, you really can't ignore it.
Headsticks opened with the excellent ‘Paper Flowers’ and ’World Away’, and then quickly into ‘Cold Grey English Skies’ and ‘Fanatics’. The new song ‘Soaps and Costume Dramas’ underlined how shit current TV really is and how easy it is to become brainwashed by it, a great song, and another warning shot by them concerning our lazy, modern day life. And then on with crowd favourite ‘What do you want?’ with our obvious answer being Revolution!. More great songs followed, ‘Mr I’m Alright Jack’ and ‘Dying For A Lie’ were another two new songs, (to me anyway) in the set and they fitted in seemlessly with the older stuff.
Headsticks just work for me, they will probably cause people to argue over what type of category they ought to be placed in, that’s fine but, excuse me while you’re all having a bloody good argument I’ll just keep on enjoying their fantastic music and their truthful commentary on modern day life. ‘Killing Me America’ closed the set, and as their new president is about to be forced upon a rather uncertain world I reckon that this song is likely to be an earworm throughout the day.
My mate and I walked back down the hill, as we did so he reminded me that we had tickets for a Stiff Little Fingers gig coming up,
‘They’ll have to be on top form to beat what we’ve just seen’, he said, and although they probably will be, he is right.
Excellent night, well played (again) and thanks, First Wave and Headsticks.
One of my great friends (we've been to many punk gigs, festivals and overseas concerts together over the years) has settled back in Nottingham, and it didn’t take us long to target a few interesting gigs to re-acquaint ourselves with the local scene. On a weekend where there was some pretty spectacular line ups I was more than happy with this one, and so it proved.
A customary pint and a meet up in Foremans started the evening, and a quick check of the new posters, Duncan Reid with The Fuckwits acoustic night looks interesting, (watch this space). And then a walk up to The Peacock, this old pub now markets itself as a Victorian Pub & Vegan Restaurant, not sure what an all day breakfast is doing on the menu! But a lovely atmosphere and the fact that they had a record deck on the bar and rows of vinyl above the optics scored them high praise. Time was moving on and it was time to unpack the crampons and head further on up the hill, a breather (and a pint) in The Lincolnshire Poacher, surprisingly quiet for a Friday night gave us the chance to ‘swing the light’ and reminisce about the old days type of chat.
Finally to The Maze, and in good time to get a beer in a proper glass before the doors opened into the back room.
First up was Radioactive Rats, a new band for me, they are a Nottingham based 5-piece with a female vocalist, they bill themselves as Polish Hardcore, they do exactly what it says on the tin. It is clear that they are very accomplished musicians, I didn’t find myself drawn into their set, (hardcore is hit and miss for me) but I will give them another go.
They played with lots of ability and energy, I noted that they brought a good number of fans in with them, and the band and their fans stayed for the whole night and danced along with the rest of us during the next two sets. It was also great to see band members from Hung Like Hanratty and Verbal Warning in the crowd. It all added to a great atmosphere.
Next came First Wave, a Leicester 3-piece of fine punk rock technicians. I’ve seen them a few times recently, I always enjoy them, and they are excellent company too. Well, tonight they absolutely nailed it, right from the opening number until their final goodbye. Melodic punk of the highest order, delivered with feeling and a real good vibe tonight.
First Wave are always a good watch, with singalong numbers and some punk-rocking guitar, tonight was a night where they clicked, (I’m pretty sure that they felt it too), but they’re too modest to say so! Put these guys on your radar, they probably won’t shout it from the rooftops, but they are up there with the best live punk bands out there at the moment.
New tracks are in the offing, and an album too. They deserve bigger recognition, I’m sure that they will get it too. Promoters/Venues/Festivals you should really get these guys on, they are sounding great.
And then came Headsticks, with a slightly different set, they added in some new numbers, (all very good indeed) and the set just flew by, the singing, the dancing and the general enjoyment is there in each and every song, you really can't ignore it.
Headsticks opened with the excellent ‘Paper Flowers’ and ’World Away’, and then quickly into ‘Cold Grey English Skies’ and ‘Fanatics’. The new song ‘Soaps and Costume Dramas’ underlined how shit current TV really is and how easy it is to become brainwashed by it, a great song, and another warning shot by them concerning our lazy, modern day life. And then on with crowd favourite ‘What do you want?’ with our obvious answer being Revolution!. More great songs followed, ‘Mr I’m Alright Jack’ and ‘Dying For A Lie’ were another two new songs, (to me anyway) in the set and they fitted in seemlessly with the older stuff.
Headsticks just work for me, they will probably cause people to argue over what type of category they ought to be placed in, that’s fine but, excuse me while you’re all having a bloody good argument I’ll just keep on enjoying their fantastic music and their truthful commentary on modern day life. ‘Killing Me America’ closed the set, and as their new president is about to be forced upon a rather uncertain world I reckon that this song is likely to be an earworm throughout the day.
My mate and I walked back down the hill, as we did so he reminded me that we had tickets for a Stiff Little Fingers gig coming up,
‘They’ll have to be on top form to beat what we’ve just seen’, he said, and although they probably will be, he is right.
Excellent night, well played (again) and thanks, First Wave and Headsticks.
Hands off Gretel : Burn the Beauty Queen album/tour
The Chameleon Arts Cafe, Nottingham. (10/12/16)
Torrential rain on a Saturday winters eve in Nottingham city centre did not prevent me from getting out and watching a band who have been receiving a lot of good reviews, both from their debut album and their tour of the same name.
Yes, I know that a punk of a certain age should’ve been making the pilgrimage to Rock City to see New Model Army, (but following the crowd wouldn’t really be punk now would it?) and so I contented myself with a couple of beers in Foremans and then the Tap n’ Tumbler to check out the NMA crowd and then wandered down to The Chameleon Arts Cafe. Situated overlooking the Old Market Square, the venue is not the easiest place to find. Head for The Bell pub, find the (gated) alleyway at the side of Game and then it’s through an unprepossessing door and up a flight of stairs. You are then greeted with a small bar and seating area. Yup, it’s a cafe after all. The large steamed up window affords views over a very soggy Christmassy Market and harbours a very eclectic mix of clientele. I recognise a couple of HoG band members and sympathise with the rather awkward band load in procedure here. Parking on a very busy street full of Christmas revellers and offloading/leaving expensive gear is not the most relaxed start to the night.
The stage area and toilets are on the next floor up, it’s not a massive venue (75 -ish) and the amps are stacked in such a way as to cause comment from band and audience members as they sway along in unison with the heavier bass-lines. But fear not, this understated and relaxed venue is well versed in this kind of thing and manages to deal with everything and anything that a band and their audience needs.
The atmosphere was good and the sound was too, three support bands and then Hands off Gretel, all for a bargain 6 quid. Did I mention the craft beers too? And expertly served by two of the most laid back ‘dudes’ imaginable. I was beginning to dry out on the outside and become quite moist on the inside (apologies to those with a vivid imagination), therefore the venue got a big tick from me, a thirsty punter.
Hands off Gretel attract fans from the widest musical loving cross section that I have ever seen, trying to answer how or why is beyond me. But let’s have a go…
Maybe it is their brilliant stage presence, each band member providing their own theatrical performance to accompany their music.
Maybe it is due to the debut release of their album ‘Burn the Beauty Queen’ (this has to be a top contender for best debut album of the year, across all platforms and genres).
Maybe it is their look and their feel, HoG have distinctive tragi-pop art personas and some striking looking merchandise. A strong element, but enough to garner new support?
Maybe it is the song writing and musicianship, both are top drawer, Lauren delivers her lyrics with the sincerity and feeling of an angst ridden poet, (it is clear that she has been living with some of these words and songs for a few years).
Whatever the answer, (it's more than likely just that they are very bloody good) there is no doubt that they are a very popular young band amongst those who have taken the trouble to see or hear them, and it is worth noting that there were quite a few in the crowd who had been to a number of the HoG shows on this tour.
The set was delivered with the assurance of a band that have been working hard and who know their subject matter well, and their crowd too. Add into all of this the great on stage chemistry and you have a complete performance.
One thing is for certain, venues and promoters should be actively seeking this band out, they will become a hot ticket item in 2017 very quickly indeed. Tickets sold out for this show, and I know that quite a few NMA gig goers had hoped to catch Hands off Gretel after the New Model Army show had finished.
I saw that HoG watched the support bands and stayed to chat after their set, I hope that they continue to do this, a great night, super boutique city centre venue, and a top show. Lovely!
SOCIAL MEDIA LINKS... FACEBOOK SOUNDCLOUD WEBSITE
BROODERS : Special mention should also be made of one of the support bands; Brooders bill themselves as a psych grunge band. They understate themselves, there’s a lot going on here. I really enjoyed their sound, their dynamic and their edginess. My eyes were particularly drawn to Liam, the drummer, his energy shone out amongst this glittering young trio. Great to see and listen to live. A new single ‘Cling’ is imminent, it’s a real grower, both in format, and also on the listener. I’d see these again, and hope to do so in 2017.
FACEBOOK YOU TUBE
Another band to add to the ‘must see’ list.
Yes, I know that a punk of a certain age should’ve been making the pilgrimage to Rock City to see New Model Army, (but following the crowd wouldn’t really be punk now would it?) and so I contented myself with a couple of beers in Foremans and then the Tap n’ Tumbler to check out the NMA crowd and then wandered down to The Chameleon Arts Cafe. Situated overlooking the Old Market Square, the venue is not the easiest place to find. Head for The Bell pub, find the (gated) alleyway at the side of Game and then it’s through an unprepossessing door and up a flight of stairs. You are then greeted with a small bar and seating area. Yup, it’s a cafe after all. The large steamed up window affords views over a very soggy Christmassy Market and harbours a very eclectic mix of clientele. I recognise a couple of HoG band members and sympathise with the rather awkward band load in procedure here. Parking on a very busy street full of Christmas revellers and offloading/leaving expensive gear is not the most relaxed start to the night.
The stage area and toilets are on the next floor up, it’s not a massive venue (75 -ish) and the amps are stacked in such a way as to cause comment from band and audience members as they sway along in unison with the heavier bass-lines. But fear not, this understated and relaxed venue is well versed in this kind of thing and manages to deal with everything and anything that a band and their audience needs.
The atmosphere was good and the sound was too, three support bands and then Hands off Gretel, all for a bargain 6 quid. Did I mention the craft beers too? And expertly served by two of the most laid back ‘dudes’ imaginable. I was beginning to dry out on the outside and become quite moist on the inside (apologies to those with a vivid imagination), therefore the venue got a big tick from me, a thirsty punter.
Hands off Gretel attract fans from the widest musical loving cross section that I have ever seen, trying to answer how or why is beyond me. But let’s have a go…
Maybe it is their brilliant stage presence, each band member providing their own theatrical performance to accompany their music.
Maybe it is due to the debut release of their album ‘Burn the Beauty Queen’ (this has to be a top contender for best debut album of the year, across all platforms and genres).
Maybe it is their look and their feel, HoG have distinctive tragi-pop art personas and some striking looking merchandise. A strong element, but enough to garner new support?
Maybe it is the song writing and musicianship, both are top drawer, Lauren delivers her lyrics with the sincerity and feeling of an angst ridden poet, (it is clear that she has been living with some of these words and songs for a few years).
Whatever the answer, (it's more than likely just that they are very bloody good) there is no doubt that they are a very popular young band amongst those who have taken the trouble to see or hear them, and it is worth noting that there were quite a few in the crowd who had been to a number of the HoG shows on this tour.
The set was delivered with the assurance of a band that have been working hard and who know their subject matter well, and their crowd too. Add into all of this the great on stage chemistry and you have a complete performance.
One thing is for certain, venues and promoters should be actively seeking this band out, they will become a hot ticket item in 2017 very quickly indeed. Tickets sold out for this show, and I know that quite a few NMA gig goers had hoped to catch Hands off Gretel after the New Model Army show had finished.
I saw that HoG watched the support bands and stayed to chat after their set, I hope that they continue to do this, a great night, super boutique city centre venue, and a top show. Lovely!
SOCIAL MEDIA LINKS... FACEBOOK SOUNDCLOUD WEBSITE
BROODERS : Special mention should also be made of one of the support bands; Brooders bill themselves as a psych grunge band. They understate themselves, there’s a lot going on here. I really enjoyed their sound, their dynamic and their edginess. My eyes were particularly drawn to Liam, the drummer, his energy shone out amongst this glittering young trio. Great to see and listen to live. A new single ‘Cling’ is imminent, it’s a real grower, both in format, and also on the listener. I’d see these again, and hope to do so in 2017.
FACEBOOK YOU TUBE
Another band to add to the ‘must see’ list.
Farstock, The Maze, Nottingham 19th November 2016.
It’s a real pleasure to walk up that sodding great hill from the City Centre and then flop through the door of the Forest Tavern and hear the strains of music coming from the back room (The Maze), tonight was no exception. The sound is always top drawer in this venue and the drinks are cheap enough, although the service was a bit patchy to start with, especially given that the Deerstock crew are a thirsty bunch!
Farstock is the smaller and internal stable mate of the Deerstock Festival, both raise money for charity and both attract a great cross section of bands. The Deerstock festival goers mirror the festivals' eclectic music styles, with a wide ranging demographic visiting/staying over the weekend, and so it was tonight, a brilliant mix of bands and outstanding performances with a friendly and appreciative crowd.
Star Botherers, a politico-folk duo their pithy performance was a great start to the proceedings and had the dancers dancing and their friends singing along.
Sam Jones Band, a three piece folky/blues rocky hipster looking band. I enjoyed their harder rock numbers over their Southern Folk sound. First time that I had seen this band and though not strictly my cup of earl grey I found that I was happily nodding along with their final song.
Sons of Clogger, another first time band for me. Folk-punk, probably an over used and a lazy description, but this band sit very comfortably within this category. Two very accomplished guitarists are split by an enigmatic mandolin and penny whistle playing front man. It is clear to see why this band are a crowd pleaser, from the first number to the last we were treated to drinking songs, rebel songs and low down gipsy fuelled skullduggery. There was no let up, rip roaring through excellent tune after tune, how the crowd danced. I confess that I swayed my hips a couple of times and generally hummed along. This lot have their own festival (Cloggerfest) but will no doubt continue to attract invitations from many other festivals wanting some of their good natured rhythmic rowdiness. Fantastic first viewing for me, and a band that I will look out for again. This appearance was included on the bands current blood moon tour, there's another gig coming up on 2nd December, home turf (Hanley) with Headsticks too, best get organised.
The Outlines, I have previously reviewed this band, following their 2016 Deerstock set, (thanks for remembering Kyle). And so I was interested in seeing how they faired on a smaller stage. They soon found their stride and ripped through an energetic and very accomplished set. Punk Rock for the current times, some may say that they play alternative punk, they hit the punk target pretty close to the bullseye for me. Well played - the evening was well and truly up and running.
Eastfield, I have to confess that when I first saw and heard this lovely lot that I was worse for wear and didn't really comprehend their rail related punk, (I just bopped along with the beat and generally continued to enjoy myself). I thoroughly enjoyed their performance tonight, belting punk music performed with real panache. I was able to appreciate the lyrics a little more this time, and still enjoyed the raw punk sound. As well as giving us some brill tunes to dance to the band stayed behind in the crowd to support the bands that followed - did I say that a ticket cost 10 quid, bloody amazing, the last three bands I've just mentioned were worth that on their own.
Headsticks, I have a review of two albums and a couple of their gigs sat unpublished within my computer, it’s probably finished, so why hasn’t it appeared? Because I keep reading it and think that I really shouldn’t gush so much over a band and that it really would be bad for my (non-existent) street credibility. Ok, raincoats and umbrellas at the ready, there's an emotional outpouring on the way; this band always give 100% they are top drawer both musically and lyrically. Their songs are clever, poignant and totally relevant to the current days. I've always been drawn to great lyrics, The Pogues, John Cooper Clarke and Elvis Costello to name but a few. As a young punk I could never really understand the relevance of some of MacGowans lyrics, harking back to the dark days of repression and hardship, they were an irrelevance to me in the eraly days, but it never stopped me slavishly following them year on year and now I am able to appreciate the poetry and the story. There is nothing irrelevant about the Headsticks lyrics, they are bang up to date, they make you stop, and to take note of their words and then dance and scream your defiance, generally about the lazy manner in which we are accepting our situation. Each song is a hand crafted gem, there is a clarity in the music, this isn't fuzzy around the edges alternative folk, this is razor sharp and totally on message. The performance tonight was fantastic, Deerstock know Headsticks, the crowd was dancing and singing, the connection between the band and the audience was immediate, yes there was some love in the room. The performance was over, oh so quickly, and joining in with the final song, ‘Killing me America’ I realised that I had pretty much sung and danced my way through the whole set, I was hoarse and that I would totally regret the old man shenanigans in the morning, I had run my phone battery down trying to get some moody/arty shots, but who cares, it was a total blast. Thank you Headsticks. (And now I have bared my soul, I’ll probably be able to publish the review of the albums!)
Dirty Vertebrae, well follow that! And they did, with an absolutely mesmeric performance. Another first time for seeing a band and it certainly won’t be the last that I will see these. Dirty Vertebrae (DV) are a massive mix of individually musically talented people. They throw their talents into the collective mixing pot and the result is a magical Funky/Rocky/Ska and Rap ladened fusion. I had no charge left to take any pics, but to be honest I was so taken aback by this bands performance that the camera would’ve been an annoying distraction for me. Brilliant guitars and drums are accompanied by superb vocal duelling from two very engaging performers. This band hail from the North West but their musical styles could be from anywhere, the rap is occasionally punctuated with the NW accent, and the fantastic singing with an Italian undercurrent. It is clear that this band are going to become very popular, very quickly. Congratulations to Deerstock on securing them for one of the 2017 headline slots. DV will no doubt, (and justifiably so) be a big name in 2017, they are a heady mix of fresh musical talent, they combine catchy yet complex songs with a vocally refined and raw edged performance, their music will appeal to many live music fans, particularly festival goers. Their live performance is exciting, polished and dynamic, probably more than some of their online stuff that I have since checked out. Highlights of an exceptional set were Burial and Living Doll (both feature on their 2015 album), don’t miss this band, they are a total blast - and don’t wait for them to come to you, look them up and go and be excited. Then be in the crowd for Deerstock 2017 for what will be another special musical memory.
Funke and the Two Tone Baby, I confess that I was expecting a full blown ska band, not a Kentish lad and a box of tricks. There is no doubting the talent on show here, the clever build of recorded rhythm, phrasing and beatboxing into a fully formed wall of sound is impresssive to witness live. Dan got the crowd moving and singing along. I enjoyed the change in intensity, a clever finale to a professionally put together line up.
Another memorable visit to a Deerstock event, getting out and supporting live music brings some great memories, friendships and rewards - discovering new bands, being able to say that I was there at the very outset is a special feeling. And one that is pretty much guaranteed if you jump into the Deerstock Festival and join this idiosyncratic musical family.
SOCIAL MEDIA LINKS
PUNK BY NATURE GIG : BOARS HEAD - 12/11/16
It was one of those weeks, proper man flu had struck and the weekend was in jeopardy, but this was a gig not to be missed. Two bands that I had seen before and thoroughly enjoy, a band that I wanted to see and one that I wasn't aware of. Chuck those into the mix at a venue that is getting some really good comments from punters and bands alike and it was just about enough incentive to raise a poorly Lazarus.
Of course I arrived early and was immediateley met with an 'Hello Mate' just like the Mockney Cockney himself from 5 Go Mad front man, Alan Calver! They had travelled from the deep South, (Portsmouth) and their early entourage included the subject of one of their newer songs, Syd Mankini (all the way from Telford). The Boars Head is in the town centre-ish and is a great, friendly live music pub. Impressive. Good beer, cheap prices, and excellent service.
Jason (Punk by Nature) puts on some great shows at this place, and this was definitely the case tonight.
5 Go Mad opened with their self deprecating songs. Their sometimes direct lyrics and sound harking back to early-ish 80's punk, but with tongue firmly in cheek. It is clear to see why this crazy crew are getting regular bookings and called back to more and more festivals. They rattled through their set, new bassist Adam has fitted in well, and tonight, Wozza kept his kit on. Great start.
Indecent Assault, a 3 piece from nearby Dudley were next on, this is the band that I hadn't heard of. Anarcho Punk is a bit of the scene that I have a love/hate relationship with, these guys fell into the former. Very impressive, really got this lot - and they are now on the list of bands that I need to see again. Their opener 'A Free Country' was the highlight for me in a really strong set.
Born To Destruct hands up, I have a real soft spot for this Roarsome band. If you walk away from one of their shows and can't manage a little skip and a massive grin then you have probably flatlined. I was a bit concerned as the usual 5 piece for BTD was down to 3 in number, but there was no need to worry as Woodstock and Dr Stuart provided the guitary rowdiness and Daiv banged and crashed away rather professionally at the back tonight, instead of being up front with the other wranglers. Think this was the first time that I'd seen BTD without the accompanying destruction crew of some MacGregors and Dicky, the one man windmill, in tow. I think I became hoarse two songs in, and so was unable to drown out the rather loud lady in front of me. This set was over all too quickly, I barely had time to buy some (more) of their excellent merch - though I did mange a few bits.
Fukdust 4 Total embarrassment time, how the fuck have I not seen this band before now? What a great end to the night, I rarely take pics of a band that I haven't seen before as being an old male of the species I find that concentrating on 2 things at the same time is nigh on impossible. And so it was here, I was intent on not missing one of the sing along lyrics, nor the great rocking riffs thrown into every song. This band rocked every song, delivering a great glittery/sleazy pin your ears back or else sound. I had a 'I'm sure I recognise these' type of moment when they first took to the stage - and of course I bloody should. I have no qualms about raving about this band, (in fact I give a massive thumbs up to all 4 tonight) they are superb live, tighter than some I've seen/heard recently. Within moments you will find yourself joining in, every number was a crowd pleaser, Fukdust 4 know how to deliver - big time.
I spotted the roving reporters of PNX News also at this gig, so check out their page for possible video footage etc.
Thanks to Punk By Nature and The Boars Head, Kidderminster for a storming night, the venue, especially the sound gets top marks. I'll be making the trip across the Mid-lands in the near future, for another of your promotions.
Punk By Nature
PNX News
The Boars Head
Of course I arrived early and was immediateley met with an 'Hello Mate' just like the Mockney Cockney himself from 5 Go Mad front man, Alan Calver! They had travelled from the deep South, (Portsmouth) and their early entourage included the subject of one of their newer songs, Syd Mankini (all the way from Telford). The Boars Head is in the town centre-ish and is a great, friendly live music pub. Impressive. Good beer, cheap prices, and excellent service.
Jason (Punk by Nature) puts on some great shows at this place, and this was definitely the case tonight.
5 Go Mad opened with their self deprecating songs. Their sometimes direct lyrics and sound harking back to early-ish 80's punk, but with tongue firmly in cheek. It is clear to see why this crazy crew are getting regular bookings and called back to more and more festivals. They rattled through their set, new bassist Adam has fitted in well, and tonight, Wozza kept his kit on. Great start.
Indecent Assault, a 3 piece from nearby Dudley were next on, this is the band that I hadn't heard of. Anarcho Punk is a bit of the scene that I have a love/hate relationship with, these guys fell into the former. Very impressive, really got this lot - and they are now on the list of bands that I need to see again. Their opener 'A Free Country' was the highlight for me in a really strong set.
Born To Destruct hands up, I have a real soft spot for this Roarsome band. If you walk away from one of their shows and can't manage a little skip and a massive grin then you have probably flatlined. I was a bit concerned as the usual 5 piece for BTD was down to 3 in number, but there was no need to worry as Woodstock and Dr Stuart provided the guitary rowdiness and Daiv banged and crashed away rather professionally at the back tonight, instead of being up front with the other wranglers. Think this was the first time that I'd seen BTD without the accompanying destruction crew of some MacGregors and Dicky, the one man windmill, in tow. I think I became hoarse two songs in, and so was unable to drown out the rather loud lady in front of me. This set was over all too quickly, I barely had time to buy some (more) of their excellent merch - though I did mange a few bits.
Fukdust 4 Total embarrassment time, how the fuck have I not seen this band before now? What a great end to the night, I rarely take pics of a band that I haven't seen before as being an old male of the species I find that concentrating on 2 things at the same time is nigh on impossible. And so it was here, I was intent on not missing one of the sing along lyrics, nor the great rocking riffs thrown into every song. This band rocked every song, delivering a great glittery/sleazy pin your ears back or else sound. I had a 'I'm sure I recognise these' type of moment when they first took to the stage - and of course I bloody should. I have no qualms about raving about this band, (in fact I give a massive thumbs up to all 4 tonight) they are superb live, tighter than some I've seen/heard recently. Within moments you will find yourself joining in, every number was a crowd pleaser, Fukdust 4 know how to deliver - big time.
I spotted the roving reporters of PNX News also at this gig, so check out their page for possible video footage etc.
Thanks to Punk By Nature and The Boars Head, Kidderminster for a storming night, the venue, especially the sound gets top marks. I'll be making the trip across the Mid-lands in the near future, for another of your promotions.
Punk By Nature
PNX News
The Boars Head
DEERSTOCK 2016 - WRITTEN AROUND 3RD AUG PUBLISHED 22ND
Deerstock is a music and camping festival based in the East Midlands. Established in 2011 at the nearby (to the current location) Reindeer Inn, East Bridgford as a summer time charity festival. During the last 5 years the festival has raised around £40,000 (expected to be higher after 2016), for local charities, (even the excellent bar donates a percentage of the takings - drinking for charity has to be a winner!)
Jed Southgate is the head honcho of the festival, a former ’77 type punk and all round music guy, he has built up a trusted crew around him and is ably assisted by Naomi and Joe Woolls, they are local to the area and the wider music scene, and they are totally committed to great music and a family friendly atmosphere.
Over the last couple of years Deerstock has been pretty much minding it’s own business and very quietly establishing itself as a small family friendly festival, and has been growing in stature, in organisation and in reputation. The organisers pride themselves in putting on a good cross section of bands and entertainment primarily over two stages and over three days, (although the camping opens a couple of days before the weekend and the music continues in the glade area a good while after the main stages close)..
The facilities are rudimentary, but more than adequate for hardened festival goers. And the organisers/staff/helpers are all really keen to make the punters experience a great one. There is an indoor marquee stage and a larger outdoor one, the distance between them being a matter of 100 metres. There is no overlap of the sets. There is a 3rd stage 'in the glade' for acoustic shenanigans.
I admit to being a bit sniffy about the quality of bands at Deerstock in previous years, 2015 was a big improvement, but the line up this time around (2016) saw two major headline acts, Eddie & The Hotrods and Dreadzone close the respective nights, and the other bands on the line up were fantastically diverse, entertaining and engaging.
Deerstock 2016 was not a two-band festival, it had a good mix of local talent and showcased some very carefully chosen (and really good) bands. I only visited on the Sunday and was really pleased to be able to see The Outlines (see previous review), Headsticks, (review soon) and Resistance77, these bands shone out for me in amongst some quite acceptable folk, some laid back bluesy jazz, some ska, an impromptu tug-o-war and lots and lots of smiling faces.
I even managed a smile myself at the Bar Steward sons of Val Doonican who succeeded in getting the gathered assembly to partake in some party antics.
The early bird tickets for Deerstock 2017 are already on sale. If the gradual improvement of bands and facilities is going to continue (and I have been assured that this is the aim) then I can see this festival being a very popular festival and selling out pretty quickly.
The central location (just off the A46 near to Bingham and East Bridgford) means that it is accessible for most, and it could easily be incorporated into a pre Rebellion trip from the South, stopping off in the Midlands before heading up for the annual carnage.
I am sure that there will always be a strong punk element to the bands on show, I’m already working out a way that I can get to more than one day next year!
Where and when : Newton Equestrian Cross Country Course
Friday 21st to Sunday 23rd July 2017
£50 for three days camping, festivities, music, beautiful countryside and charity has to be a no brainer.
Ticket link.
Jed Southgate is the head honcho of the festival, a former ’77 type punk and all round music guy, he has built up a trusted crew around him and is ably assisted by Naomi and Joe Woolls, they are local to the area and the wider music scene, and they are totally committed to great music and a family friendly atmosphere.
Over the last couple of years Deerstock has been pretty much minding it’s own business and very quietly establishing itself as a small family friendly festival, and has been growing in stature, in organisation and in reputation. The organisers pride themselves in putting on a good cross section of bands and entertainment primarily over two stages and over three days, (although the camping opens a couple of days before the weekend and the music continues in the glade area a good while after the main stages close)..
The facilities are rudimentary, but more than adequate for hardened festival goers. And the organisers/staff/helpers are all really keen to make the punters experience a great one. There is an indoor marquee stage and a larger outdoor one, the distance between them being a matter of 100 metres. There is no overlap of the sets. There is a 3rd stage 'in the glade' for acoustic shenanigans.
I admit to being a bit sniffy about the quality of bands at Deerstock in previous years, 2015 was a big improvement, but the line up this time around (2016) saw two major headline acts, Eddie & The Hotrods and Dreadzone close the respective nights, and the other bands on the line up were fantastically diverse, entertaining and engaging.
Deerstock 2016 was not a two-band festival, it had a good mix of local talent and showcased some very carefully chosen (and really good) bands. I only visited on the Sunday and was really pleased to be able to see The Outlines (see previous review), Headsticks, (review soon) and Resistance77, these bands shone out for me in amongst some quite acceptable folk, some laid back bluesy jazz, some ska, an impromptu tug-o-war and lots and lots of smiling faces.
I even managed a smile myself at the Bar Steward sons of Val Doonican who succeeded in getting the gathered assembly to partake in some party antics.
The early bird tickets for Deerstock 2017 are already on sale. If the gradual improvement of bands and facilities is going to continue (and I have been assured that this is the aim) then I can see this festival being a very popular festival and selling out pretty quickly.
The central location (just off the A46 near to Bingham and East Bridgford) means that it is accessible for most, and it could easily be incorporated into a pre Rebellion trip from the South, stopping off in the Midlands before heading up for the annual carnage.
I am sure that there will always be a strong punk element to the bands on show, I’m already working out a way that I can get to more than one day next year!
Where and when : Newton Equestrian Cross Country Course
Friday 21st to Sunday 23rd July 2017
£50 for three days camping, festivities, music, beautiful countryside and charity has to be a no brainer.
Ticket link.
THE OUTLINES + DEERSTOCK 2016 - 3RD AUGUST
The Outlines : Sreets of England A couple of things happened for me at the Deerstock Festival this year. If I was remotely spiritual then I would probably describe it as 'the scales falling from my eyes', as I'm not let's just say that it was feckin awesome!
(I'll come back to the festival in a later piece, as it is worthy of a section all to itself). I arrived on the Sunday, the last day of the festival, and wasn't sure that I'd even make that, but so glad that I did.
As I settled in, wandered around and said 'hello' to folk I was struck by the lovely atmosphere and smiling faces. I even grabbed a beer and stood and listened to Jake Smallbones sing some Country twiddly-twaddly stuff.
And then waited for a new band (for me) to appear on the main stage. The Outlines are a local band (Warsop - near Mansfield), Kyle Peters : Vox and Lead. Martyn Brown : Vox and Bass. Dean Hill : Drums. And as such they could've been put on for local interest. How wrong. I was grabbed from the start to the finish of their all too brief set. I had a closer look at them, just to see if they were in fact wearing boyish masks and there was some grizzled old punk underneath. Oh no, the skinny, low slung jeans confirmed their age and belied their expertise.
'77 MEETS SKATER PUNK IN A SLIGHTLY SWEARY AND RELEVANT HIGH ENERGY, BLOW YOUR MIND, SINGALONG STYLE.
After finding out that Kyle Peters is a past member of Ferocious Dog, I decided to dig a bit deeper and then dig into my pockets to buy their album, just to make sure that I wasn't getting carried away by the Festival atmosphere. I've yet to climb aboard the Ferocious Dog love-in bandwagon, The Outlines are a completely different proposition, absolutely hit the spot for me.
Streets of England is the first album from The Outlines, currently available from the band at gigs and via their Facebook page, (link later as this is a popular band name!) there isn't a weak track on the album, these guys are as tight as a ducks chuff and definitely more melodious!
There is no set formula for this band, their accomplished playing and sound knit really well together, their obvious closeness on stage shines through on the album. Expect a sound reminiscent of early Rancid and a 77 style fused with the current Surf Punk sound. They perform the occasional Clash cover in their live set, but they are brimming with originality and great tunes.
I will be actively seeking this band out on their subsequent outings, they really are an exciting act, buy the album, check em out live, and promoters - get them booked. Take Note, there will be some more established bands who will be reluctant to play with The Outlines as they will be outshone by them, but rest assured that the crowds, the old farts like me, and the young alt-crowd - not like me - will absolutely love/appreciate/'sick' them.
BAND PAGE Facebook
MUSIC Soundcloud
TRACK LIST
(I'll come back to the festival in a later piece, as it is worthy of a section all to itself). I arrived on the Sunday, the last day of the festival, and wasn't sure that I'd even make that, but so glad that I did.
As I settled in, wandered around and said 'hello' to folk I was struck by the lovely atmosphere and smiling faces. I even grabbed a beer and stood and listened to Jake Smallbones sing some Country twiddly-twaddly stuff.
And then waited for a new band (for me) to appear on the main stage. The Outlines are a local band (Warsop - near Mansfield), Kyle Peters : Vox and Lead. Martyn Brown : Vox and Bass. Dean Hill : Drums. And as such they could've been put on for local interest. How wrong. I was grabbed from the start to the finish of their all too brief set. I had a closer look at them, just to see if they were in fact wearing boyish masks and there was some grizzled old punk underneath. Oh no, the skinny, low slung jeans confirmed their age and belied their expertise.
'77 MEETS SKATER PUNK IN A SLIGHTLY SWEARY AND RELEVANT HIGH ENERGY, BLOW YOUR MIND, SINGALONG STYLE.
After finding out that Kyle Peters is a past member of Ferocious Dog, I decided to dig a bit deeper and then dig into my pockets to buy their album, just to make sure that I wasn't getting carried away by the Festival atmosphere. I've yet to climb aboard the Ferocious Dog love-in bandwagon, The Outlines are a completely different proposition, absolutely hit the spot for me.
Streets of England is the first album from The Outlines, currently available from the band at gigs and via their Facebook page, (link later as this is a popular band name!) there isn't a weak track on the album, these guys are as tight as a ducks chuff and definitely more melodious!
There is no set formula for this band, their accomplished playing and sound knit really well together, their obvious closeness on stage shines through on the album. Expect a sound reminiscent of early Rancid and a 77 style fused with the current Surf Punk sound. They perform the occasional Clash cover in their live set, but they are brimming with originality and great tunes.
I will be actively seeking this band out on their subsequent outings, they really are an exciting act, buy the album, check em out live, and promoters - get them booked. Take Note, there will be some more established bands who will be reluctant to play with The Outlines as they will be outshone by them, but rest assured that the crowds, the old farts like me, and the young alt-crowd - not like me - will absolutely love/appreciate/'sick' them.
BAND PAGE Facebook
MUSIC Soundcloud
TRACK LIST
- FALL TO THE DROP
- VANILLA POISON
- SEVENTEEN
- SOUND OF RAIN
- CALM DOWN
- BRIDGES
- WE DON'T LIKE IT
- I WANT IT ALL
- STREETS OF ENGLAND
- TOMORROW
PUNKMONGER 3/5/16